通通感应—艺术语言的私通

发布时间：2018-07-31 16:32

【摘要】：绘画被称为是视觉艺术，音乐被称为是听觉艺术，然而我们常常听到音符的色彩，看到线条的旋律，了解艺术语言间发生的感官的交换、通感，对于加强艺术感染力，重拾艺术全息性和启发新的艺术门类的产生有着积极的意义。本文广泛借鉴诸多学科的研究成果，采取以文献考证和事理论述相结合的研究方法。论文的章节以散文式的现代寓言开篇，以看似闲散的语言来启发“感觉”介入阅读，使论文真正达到“通通感应”。笔者将艺术欣赏课程的感受扩展为对艺术语言间关系的探讨。论文首先从论述感觉的意义、分类及五感官的各自特征开始，提出艺术感觉对于艺术创作具有重要的作用，感觉是艺术感觉的根本，艺术创作离不开艺术家敏锐的艺术感觉。其次论文进入到具体的联觉现象的研究，，主要提供了心理学的联觉定义和研究现状、物理学原理、通感和联觉的关系、通感的哲学原理、文学艺术上的定义及通感的现代延伸应用，得出通感普遍存在于日常生活和艺术创作中的事实结论。论文从历史的角度深入，将通感与艺术起源相关联，由“艺术起源于巫术”的猜测引出交感巫术与艺术品的关系、巫术的演变及中国美学起源同巫术和祭祀的内在联系，运用古代文献资料深入揭示中国古代审美中感官地位。论文进一步从物与情感的关联、物对情感的阐述出发，提出物与情感相互交流的前提是因为两者具有相同或相似的力结构。本文从语言的定义、艺术语言的定义及其特征中寻找艺术语言私通的可能性，论文提出艺术中存在的特征不变量及艺术中的“节奏”成为艺术感官间“情感”交流的基础。并例举了音乐艺术中存在的音乐语言的通感现象来证明“艺术语言的私通潜藏在艺术创作之中”这一论点。最后，笔者预见：物质也好、精神也好、感觉也好，它们之间进行“私通”的前提是因为它们产生了相同或相似的场域——“一种感觉各自构成一个自足的场域，感觉的通应是其场域的交汇，各个场域在情感层面上交互、流淌，成为通感滋长的温床，诞生了艺术私通的天才私生子。”
[Abstract]:Painting is referred to as visual art, music is called auditory art, but we often hear the color of notes, see the melody of lines, understand the exchange of senses between artistic languages, synaesthesia, and strengthen the appeal of art. It is of positive significance to rediscover the holography of art and inspire the emergence of new art categories. Based on the research results of many disciplines, this paper adopts the research method of combining textual research with theory. The chapter of the thesis begins with prose modern fable, enlightens "feeling" in reading with seemingly idle language, and makes the thesis truly achieve "universal induction". The author extends the experience of art appreciation course to explore the relationship between artistic languages. The paper begins with the significance of feeling, classification and the respective characteristics of the five senses, and points out that artistic feeling plays an important role in artistic creation, feeling is the root of artistic feeling, and artistic creation is inseparable from the artist's keen artistic feeling. Secondly, the thesis goes into the study of synesthesia, which mainly provides the definition and research status of synesthesia in psychology, the principle of physics, the relationship between synesthesia and synesthesia, the philosophical principle of synesthesia. The definition of literature and art and the modern extension of synaesthesia draw the conclusion that synaesthesia is common in daily life and artistic creation. From the historical point of view, the thesis relates synaesthesia to the origin of art, and from the guess of "art originates from witchcraft" leads to the relationship between sympathetic witchcraft and art, the evolution of witchcraft and the internal relation between the origin of Chinese aesthetics and witchcraft and sacrifice. The use of ancient literature reveals the sensory position in ancient Chinese aesthetics. Based on the relation between object and emotion and the exposition of object to emotion, this paper puts forward that the premise of communication between object and emotion is that they have the same or similar force structure. Based on the definition of language, the definition of art language and its characteristics, this paper tries to find the possibility of artistic language extrapolation. The paper points out that the characteristic invariants in art and the "rhythm" in art become the basis of "emotion" communication between the artistic senses. The synaesthesia of musical language in the art of music is illustrated to prove the argument that "the communication of artistic language is hidden in the creation of art". Finally, the author foresees: matter is good, spirit is good, feeling is good, the premise of "fornication" between them is that they produce the same or similar field-"A sense of each constitutes a self-sufficient field." The connection of the feeling should be the intersection of the field, each field interacts and flows on the emotional level, becomes the hotbed of the synaesthesia, and gives birth to the gifted illegitimate child of artistic fornication. "
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J0-05

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