文学穿越现实的独创方法——以中外经典作家为例

发布时间：2018-08-12 20:13

【摘要】：在文学批评和文学理论界,用现实主义、浪漫主义、现代主义这些普遍性的创作方法,是否可以解释中外经典作家的独创性和原创性,是一个新的文艺理论和文学批评问题。陀思妥耶夫斯基、鲁迅等作家在文学独创方法上的共同经验,都是针对社会现实提出作家独特的哲学或人文问题,然后针对这样的问题建立起来作家独特的个体理解,再由这样的理解派生出作品独特的文学性结构,从而呈现出"个体问题———个体理解———个体结构"的方法图式。否定主义文艺学将这样的方法解释为"穿越现实的文学创作方法"。这样的方法可以利用现实主义的写实、浪漫主义的奇幻和现代主义的心理、变形等方法,可以突破时代、文化和既有文学资源的束缚获得重大创新。
[Abstract]:In the field of literary criticism and literary theory, it is a new problem of literary theory and literary criticism whether the universal creative methods such as realism, romanticism and modernism can explain the originality and originality of Chinese and foreign classical writers. The common experience of Dostoevsky, Lu Xun and other writers in the creative method of literature is to put forward the writer's unique philosophical or humanistic problems in the light of the social reality, and then to establish the writer's unique individual understanding in view of this kind of problem. Then the unique literary structure of the works is derived from this understanding, thus presenting the method schema of "individual problem-individual understanding-individual structure". Negativism interprets this method as "literary creation through reality". Such a method can make use of realistic realism, romantic fantasy and modernist psychology, deformation and so on, and can break through the shackles of times, culture and existing literary resources to obtain significant innovation.
【作者单位】：浙江工商大学中国文化理论创新研究中心;
【基金】：国家社科基金项目《中国式当代文学性理论创新研究》[11BZW008] 教育部人文社科基金项目《文学性与好文学的关系研究》[08JA751039] 浙江省哲学社会科学规划重点课题《文学性与好文学的关系研究》[10CGZW02Z]的阶段性成果
【分类号】：I04

【共引文献】