无声的召唤——文学中的艺术空白
发布时间：2018-10-05 19:30
【摘要】： “空白”在中国古典艺术中是一个重要的范畴,各种艺术都很注重“空白”的妙用。艺术空白使艺术画面具有丰富的启发性、暗示性,从而为欣赏者的想象和再创造留下了广阔的空间。 在古今中外文艺理论中,有很多关于“空白”的论述,“不着一字,尽得风流”;“著形于绝迹,振响于无声”;“诗台神龙,见其首不见其尾,或云中露一爪一鳞而已,……而龙之首尾完好固然宛在也”;“写作艺术之所以好,并不在于知道要写什么,而是在于知道不需要写什么”……从这些关于“空白”的说法中,我们可以体悟出:艺术作品要典型地反映出客观事物的某些本质方面的东西,不能只是对客观生活现象照相式的展览和罗列,必须有所筛选,要有适当的省略,只有如此,才能避免拘泥于生活真实,才能摆脱肤浅与平庸,从而使作品获得丰富而深刻的内涵,实现向艺术真实的高峰飞跃。在我国,空白论的理论渊源可追溯到《易》:“是故形而上者谓之道,形而下者谓之器,……”在西方,伊瑟尔最先在文学的接受理论中提出了“空白”一词,他认为文本和读者之间没有建立意图的调节语境,这种语境只有靠读者从文本的暗示或标示中建立。 而文学中的艺术空白是艺术空白的一个重要组成,对文学魅力的生成以及文学活动中主客体之间的交流都有很重要的影响。本文首先从理论上论述艺术空白的概念、分类及表征,使读者对艺术空白的理解有了基本的认识;接着具体论述文学中的艺术空白的特点;第三部分揭示文学中的艺术空白的艺术效果和对读者的召唤价值。 艺术空白在文学中无所不在。正因为文学有了空白才更加美,更能给人以独特的、回味无穷的审美享受,进而体现文学所独有的审美价值和社会价值。
[Abstract]:Blank is an important category in Chinese classical art. The artistic blank makes the artistic picture rich in inspiration and hint, thus leaving a wide space for the appreciator's imagination and re-creation. In ancient and modern literature and art theory, there are a lot of "blank" exposition, "without a word, all the flow"; "form in the extinction, vibration in the silent"; "the poem stage god dragon, see its head and tail, or in the clouds show a claw scale." And the dragon's head and tail are in good condition, "the art of writing is good not by knowing what to write, but by knowing what needs not to be written." From these "blank" statements, we can understand that works of art to typically reflect some of the essential aspects of the objective things, not just the objective life phenomenon photographic exhibition and listing, there must be some screening. Only in this way can we avoid sticking to the reality of life, get rid of the superficial and mediocre, make the works rich and profound connotation, and realize the peak leap to the artistic reality. In our country, the theoretical origin of blank theory can be traced back to Yi: "it is the way of the metaphysics, the instrument of the lower." In the West, Iser first put forward the word "blank" in the literary acceptance theory. He thinks that there is no regulatory context between the text and the reader, which can only be established by the reader from the hint or indication of the text. The artistic blank in literature is an important component of the artistic blank, which has a very important influence on the generation of literary charm and the communication between the subject and object in the literary activities. In this paper, the concept, classification and representation of artistic blanks are discussed theoretically, which makes readers have a basic understanding of artistic blanks, and then discusses the characteristics of artistic blanks in literature. The third part reveals the artistic effect of artistic blanks in literature and its calling value to readers. Artistic blanks are ubiquitous in literature. It is because literature has a blank that it is more beautiful and can give people a unique, aftertaste of aesthetic enjoyment, and then reflect the unique aesthetic value and social value of literature.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I0441
本文编号：2254602
[Abstract]:Blank is an important category in Chinese classical art. The artistic blank makes the artistic picture rich in inspiration and hint, thus leaving a wide space for the appreciator's imagination and re-creation. In ancient and modern literature and art theory, there are a lot of "blank" exposition, "without a word, all the flow"; "form in the extinction, vibration in the silent"; "the poem stage god dragon, see its head and tail, or in the clouds show a claw scale." And the dragon's head and tail are in good condition, "the art of writing is good not by knowing what to write, but by knowing what needs not to be written." From these "blank" statements, we can understand that works of art to typically reflect some of the essential aspects of the objective things, not just the objective life phenomenon photographic exhibition and listing, there must be some screening. Only in this way can we avoid sticking to the reality of life, get rid of the superficial and mediocre, make the works rich and profound connotation, and realize the peak leap to the artistic reality. In our country, the theoretical origin of blank theory can be traced back to Yi: "it is the way of the metaphysics, the instrument of the lower." In the West, Iser first put forward the word "blank" in the literary acceptance theory. He thinks that there is no regulatory context between the text and the reader, which can only be established by the reader from the hint or indication of the text. The artistic blank in literature is an important component of the artistic blank, which has a very important influence on the generation of literary charm and the communication between the subject and object in the literary activities. In this paper, the concept, classification and representation of artistic blanks are discussed theoretically, which makes readers have a basic understanding of artistic blanks, and then discusses the characteristics of artistic blanks in literature. The third part reveals the artistic effect of artistic blanks in literature and its calling value to readers. Artistic blanks are ubiquitous in literature. It is because literature has a blank that it is more beautiful and can give people a unique, aftertaste of aesthetic enjoyment, and then reflect the unique aesthetic value and social value of literature.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I0441
【引证文献】
相关期刊论文 前1条
1 刘珍兰;;《野草在歌唱》中的空白艺术探析[J];忻州师范学院学报;2011年01期
相关硕士学位论文 前4条
1 东雪;论沃尔夫冈·伊瑟尔的文本观[D];湘潭大学;2011年
2 明娟;文学阅读教学中学生想象力的培养[D];华中师范大学;2007年
3 于娟;论文学接受中的诗性对话[D];牡丹江师范学院;2010年
4 杨超;微型小说的空白艺术[D];齐齐哈尔大学;2012年
，本文编号：2254602
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