消费时代文学经典的消解与重构
发布时间：2018-11-02 15:42
【摘要】：文学经典问题是20世纪中西方文学研究的一个热点问题。论文首先从中西方“经典”释义的源溯着手,概述归纳了文学经典的三种主要品质特征:时代性与超越性的统一、民族性与世界性的统一、独创性与典范性的统一。在关于文学经典建构的动力与复杂因素的认识上,针对目前理论界存在的本质论和建构论这两种截然对立的观点,论文指出两种观点均有其合理之处,但又有片面之嫌,文学经典的形成应是“内部”要素和“外部”力量共同作用的结果。 阐释学,从作为方法论到本体论的转变对文学经典的阐释产生了深刻影响。作为本体论的阐释学认为,文学经典的阐释只是一个历史过程,永远不会终结,而是向着未来无限开放和敞开。任何一种阐释维度和视角都有其澄明的一面,又有其遮蔽的一面,经常是深刻洞见与遮蔽盲视并存。审美阐释、意识形态阐释、文化阐释这三种基本的阐释维度都有其各自阐释的必要性、合理性、适应性、阐释的洞见与遮蔽。理想的阐释效果应该是三种维度的有效结合。 消费社会、消费主义文化意识形态和图像文化的兴起与流行是当今这个时代最显著的特征。消费文化对文学经典造成了巨大的冲击和解构,改变了经典的文本存在形态和传播方式,促进了经典的世俗回归,祛除了经典的神圣光环和神秘面纱,但也消解了经典的意义深度,稀释了经典的精神内蕴;消费文化改变了文学经典存在和发生影响的文化语境和价值规范,改变了大众对经典的接受心理、接受目的、期待视野和阅读态度。随着电子媒介技术的发展,以影视为主体的图像文化的兴起对经典也产生了重要影响,使经典的生产机制和美学品格发生了显著变化,推动了经典的平民化和艺术的民主化,使大众对经典的接受方式和接受效果发生了明显改变,由过去的“线性阅读思考”方式转变为“直观视听感知”。 在当今这个消费时代的语境中,更需要重提经典的意义。经典具有重要的精神价值、文化价值和构造民族国家文化认同功能。在重构经典的过程中,要用马克思主义的辩证眼光,从时代的语境出发,继承经典中的优秀艺术精神和思想精华,让经典映照出时代的光辉。
[Abstract]:The problem of literary classics is a hot issue in the study of Chinese and Western literature in the 20 ~ (th) century. This paper begins with the origin of the interpretation of "classics" in China and the West, and summarizes the three main characteristics of literary classics: the unity of times and transcendence, the unity of nationality and world, and the unity of originality and exemplary. On the understanding of the motive force and complex factors of the construction of literary classics, the paper points out that the two views are both reasonable and one-sided in view of the two opposite viewpoints of essence and constructivism, which exist in the field of theory at present. The formation of literary classics should be the result of the interaction of internal elements and external forces. Hermeneutics, from methodology to ontology, has had a profound impact on the interpretation of literary classics. As an ontological hermeneutics, the interpretation of literary classics is only a historical process, which will never end, but open and open to the future. Any explanatory dimension and angle of view has its own clear side, but also has its hidden side, which is often the coexistence of deep insight and blind vision. Aesthetic interpretation, ideology interpretation and cultural interpretation all have their own interpretation necessity, rationality, adaptability, interpretation insight and shelter. The ideal interpretation effect should be an effective combination of three dimensions. The rise and popularity of consumer society, consumerism cultural ideology and image culture are the most prominent features of the present era. Consumer culture has caused a tremendous impact and deconstruction on literary classics, changed the form of existence and dissemination of classical texts, promoted the secular return of classics, and removed the sacred halo and mysterious veil of classical texts. But it also dispels the meaning depth of the classic and dilutes the spiritual connotation of the classic; Consumer culture has changed the cultural context and value norms of the existence and influence of literary classics, and has changed the public's acceptance psychology, acceptance purpose, expectation vision and reading attitude. With the development of electronic media technology, the rise of image culture, with film and television as the main body, has had an important impact on the classics, which has changed the production mechanism and aesthetic character of the classics, and promoted the popularization of the classics and the democratization of the arts. So that the public's acceptance of the classic and the acceptance of the effect of a significant change from the past "linear reading thinking" to "visual audio-visual perception." In the context of the consumption era, we need to mention the significance of classics again. The classic has important spiritual value, cultural value and the function of constructing national cultural identity. In the course of reconstructing the classics, we should use the dialectical vision of Marxism, proceed from the context of the times, inherit the fine artistic spirit and ideological essence of the classics, and let the classics reflect the brilliance of the times.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I02
本文编号：2306218
[Abstract]:The problem of literary classics is a hot issue in the study of Chinese and Western literature in the 20 ~ (th) century. This paper begins with the origin of the interpretation of "classics" in China and the West, and summarizes the three main characteristics of literary classics: the unity of times and transcendence, the unity of nationality and world, and the unity of originality and exemplary. On the understanding of the motive force and complex factors of the construction of literary classics, the paper points out that the two views are both reasonable and one-sided in view of the two opposite viewpoints of essence and constructivism, which exist in the field of theory at present. The formation of literary classics should be the result of the interaction of internal elements and external forces. Hermeneutics, from methodology to ontology, has had a profound impact on the interpretation of literary classics. As an ontological hermeneutics, the interpretation of literary classics is only a historical process, which will never end, but open and open to the future. Any explanatory dimension and angle of view has its own clear side, but also has its hidden side, which is often the coexistence of deep insight and blind vision. Aesthetic interpretation, ideology interpretation and cultural interpretation all have their own interpretation necessity, rationality, adaptability, interpretation insight and shelter. The ideal interpretation effect should be an effective combination of three dimensions. The rise and popularity of consumer society, consumerism cultural ideology and image culture are the most prominent features of the present era. Consumer culture has caused a tremendous impact and deconstruction on literary classics, changed the form of existence and dissemination of classical texts, promoted the secular return of classics, and removed the sacred halo and mysterious veil of classical texts. But it also dispels the meaning depth of the classic and dilutes the spiritual connotation of the classic; Consumer culture has changed the cultural context and value norms of the existence and influence of literary classics, and has changed the public's acceptance psychology, acceptance purpose, expectation vision and reading attitude. With the development of electronic media technology, the rise of image culture, with film and television as the main body, has had an important impact on the classics, which has changed the production mechanism and aesthetic character of the classics, and promoted the popularization of the classics and the democratization of the arts. So that the public's acceptance of the classic and the acceptance of the effect of a significant change from the past "linear reading thinking" to "visual audio-visual perception." In the context of the consumption era, we need to mention the significance of classics again. The classic has important spiritual value, cultural value and the function of constructing national cultural identity. In the course of reconstructing the classics, we should use the dialectical vision of Marxism, proceed from the context of the times, inherit the fine artistic spirit and ideological essence of the classics, and let the classics reflect the brilliance of the times.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I02
【引证文献】
相关期刊论文 前1条
1 许军娥;;文学经典研究现状扫描[J];时代文学(双月上半月);2008年01期
相关硕士学位论文 前1条
1 娄慧珠;中国传统文学经典与文化产业园建设研究[D];山东师范大学;2012年
，本文编号：2306218
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