两种“意境”的并存与交融——“意境”现代意义生成的历史考察

发布时间：2018-11-08 14:23

【摘要】：近代是"意境"现代意义生成的关键时期,由于西学的输入,"意境"出现了一种新的使用形态——对西学的"格义"。这种由西学转换而来的"意境"在重新融入中国本土文论话语后,便成了近代文论中的所谓新"意境",从而对"意境"上升为中国文论乃至美学的核心范畴产生了直接影响。不过,在这一理论建构过程中,中国的传统文化资源同样发挥了关键性作用。这不仅因为"意境"自清代以来发展演变的趋势已具备了这种可能,更重要的是中国自身的文化传统(抒情传统)为"意境"上升为中国文论乃至美学的核心范畴提供了必要的生存土壤,因此可以说"意境"现代意义的生成是中西两种文化传统碰撞与交汇的直接结果,忽视或偏重任何一方都是片面的。
[Abstract]:Modern times is the key period of the formation of modern meaning of "artistic conception". As a result of the input of western learning, "artistic conception" has appeared a new form of use-the "meaning" of western learning. After reintegrating into the discourse of Chinese native literary theory, this kind of "artistic conception", which is transformed from western learning, has become the so-called "artistic conception" in modern literary theory, which has a direct influence on the rise of "artistic conception" to the core category of Chinese literary theory and even aesthetics. However, in the construction of this theory, Chinese traditional cultural resources also play a key role. This is not only because the trend of development and evolution of "artistic conception" since the Qing Dynasty already has this possibility. What is more important is that China's own cultural tradition (lyric tradition) provides the necessary living ground for the rise of "artistic conception" to the core category of Chinese literary theory and even aesthetics. Therefore, it can be said that the formation of the modern meaning of "artistic conception" is the direct result of the collision and intersection of Chinese and Western cultural traditions.
【作者单位】：许昌学院文学院;
【基金】：教育部人文社科研究青年基金项目“留学生与晚清文学转型”(项目号:11YJC751035)的阶段性成果
【分类号】：I01

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