浅析魔幻现实趣味对当下视觉艺术的意义
发布时间：2018-11-24 12:38
【摘要】：“魔幻现实主义”最早由德国文艺批评家弗朗茨·罗在他的论著《魔幻现实主义,后期表现主义，当前欧洲绘画的若干问题》中,比较了表现主义绘画和魔幻现实主义绘画，并提出“魔幻”这一术语。“魔幻现实主义”一词虽最早出自绘画问题的著作，但其对文学界的影响也十分深远。但无论是文学著作还是绘画作品他们都以语言艺术和视觉艺术作为划分包含在“艺术”的大概念中。两者经常是相辅相成，互相依托的关系，绘画因故事方能坐拥光芒，而文学也因视觉而得以充分展现。随着城市化的发展，“魔幻现实主义”也逐渐退出历史舞台。但“魔幻现实”作为一种趣味却一直延续至今。随着全球化的推进，当代语境中的“艺术”早已由过去相对保守和单一的表现方式，转向了以绘画，，动画影像，公共雕塑等多种艺术表现方式相互融合多维度发展的程度。笔者希望在“艺术”这一大语境下结合已有的相关文献来浅析魔幻现实趣味在过去艺术中的呈现，同时结合当下全球化的语境，分析魔幻现实趣味对当下艺术创作的启发。
[Abstract]:Magic realism was first compared between Expressionist painting and Magic realism painting by Franz Rowe, a German literary critic, in his book "Magic realism, late Expressionism, and some problems in current European painting". And put forward the term "magic". Although the term "magic realism" was first written on painting, its influence on literary circles is also very profound. However, both literary works and paintings are divided into linguistic art and visual art, which are included in the concept of "art". They often complement each other and rely on each other. Painting can only be seen by stories, and literature is fully displayed by vision. With the development of urbanization, Magic realism has gradually withdrawn from the historical stage. But the magic reality as a kind of interest continues to this day. With the development of globalization, the "art" in the contemporary context has long changed from a relatively conservative and single way of expression in the past, to the degree to which various artistic expressions such as painting, animated images, public sculpture and so on have merged and developed from one dimension to another. The author hopes to analyze the appearance of magic reality interest in the past art in the context of "art" and the inspiration of magic reality interest to contemporary art creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J05
本文编号：2353751
[Abstract]:Magic realism was first compared between Expressionist painting and Magic realism painting by Franz Rowe, a German literary critic, in his book "Magic realism, late Expressionism, and some problems in current European painting". And put forward the term "magic". Although the term "magic realism" was first written on painting, its influence on literary circles is also very profound. However, both literary works and paintings are divided into linguistic art and visual art, which are included in the concept of "art". They often complement each other and rely on each other. Painting can only be seen by stories, and literature is fully displayed by vision. With the development of urbanization, Magic realism has gradually withdrawn from the historical stage. But the magic reality as a kind of interest continues to this day. With the development of globalization, the "art" in the contemporary context has long changed from a relatively conservative and single way of expression in the past, to the degree to which various artistic expressions such as painting, animated images, public sculpture and so on have merged and developed from one dimension to another. The author hopes to analyze the appearance of magic reality interest in the past art in the context of "art" and the inspiration of magic reality interest to contemporary art creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J05
【参考文献】
相关期刊论文 前1条
1 李晓辉;魔幻现实主义对中国文学的影响[J];内蒙古民族师院学报(哲学社会科学汉文版);2000年04期
本文编号：2353751
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