论艺术与设计的辩证关系
发布时间：2019-04-04 13:12
【摘要】： 论文以马克思主义辩证法思想为核心,按设计与艺术历史发展顺序,研究分析了每一时期的一些典型艺术与设计作品,探讨了不同时代背景下艺术与设计的辨证关系。研究指出了,原始社会低劣的生产力水平决定了设计先于艺术而生,设计和艺术必须服务于生存需求;奴隶社会设计起着主干作用,艺术处于从属地位,二者相互影响与渗透;封建社会手工业生产的特点使得艺术地位飙升,设计地位处于下层,设计与艺术而完全分离开来;现代艺术与设计因大机器生产而使得设计成为主体,艺术处于服从地位;而后现代设计与艺术又一次从主从关系,走向融合。艺术与设计相互区别,时而分离与对立,主从关系明显;时而又彼此相互联系、相互融合,和谐统一。总之,艺术与设计的关系是辨证的。
[Abstract]:Taking Marxist dialectics as the core, according to the development order of design and art history, this paper studies and analyzes some typical works of art and design in each period, and probes into the dialectical relationship between art and design in different times. It is pointed out that the poor level of productivity in primitive society determines that design is born before art, and that design and art must serve the needs of survival, the design of slave society plays a main role, art is in a subordinate position, and the two influence and permeate each other. The characteristics of the handicraft industry in feudal society caused the artistic status to soar, the design position was in the lower level, the design and the art were completely separated, the modern art and the design became the main body because of the large machine production, and the art was in the obedient position. Post-modern design and art once again from the master-slave relationship, towards integration. Art and design are different from each other, sometimes separated and opposed, the relationship between master and follower is obvious, and sometimes they are connected with each other, fused with each other, harmonious and unified. In short, the relationship between art and design is dialectical.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J06
本文编号：2453849
[Abstract]:Taking Marxist dialectics as the core, according to the development order of design and art history, this paper studies and analyzes some typical works of art and design in each period, and probes into the dialectical relationship between art and design in different times. It is pointed out that the poor level of productivity in primitive society determines that design is born before art, and that design and art must serve the needs of survival, the design of slave society plays a main role, art is in a subordinate position, and the two influence and permeate each other. The characteristics of the handicraft industry in feudal society caused the artistic status to soar, the design position was in the lower level, the design and the art were completely separated, the modern art and the design became the main body because of the large machine production, and the art was in the obedient position. Post-modern design and art once again from the master-slave relationship, towards integration. Art and design are different from each other, sometimes separated and opposed, the relationship between master and follower is obvious, and sometimes they are connected with each other, fused with each other, harmonious and unified. In short, the relationship between art and design is dialectical.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J06
【引证文献】
相关硕士学位论文 前4条
1 杨松崧;现代设计和现代艺术发展的同步性与错位性[D];齐齐哈尔大学;2011年
2 李春梅;马蒂斯绘画语言与当代设计视觉形式同构研究[D];齐齐哈尔大学;2012年
3 杨亚波;高等艺术设计教育规律初探[D];山东大学;2012年
4 娄婧婧;中原地区传统典型木质农耕器具研究[D];中南林业科技大学;2013年
，本文编号：2453849
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