林芙美子与张爱玲女性意识之比较
发布时间：2019-04-27 11:46
【摘要】： 日本近代女作家林芙美子，因昭和三年(1928年)连载的《放浪记》而出名，后又凭借《晚菊》获得了第三届女性文学奖，随后的《浮云》被称为其文学的集大成之作。除此之外，还创作了许多脍炙人口的诗歌及散文。她是日本近代文学中颇受注目的女作家。中国现代女作家张爱玲以其女性独特的视角创作了《传奇》等大量的弥漫荒凉气息的作品，从而在二十世纪四十年代，犹如一颗璀璨的明星闪烁于中国的文坛之上，她的作品至今受到人们的喜爱。 初读二者的文学作品，我们会发现她们的作品有一个共同的特点，即都着力描写男欢女爱的情感故事，用女性特有的感觉去感受女性不幸的命运，批判以男性为中心的社会。同时，通过作品，我们还能体会到两作家曲折而复杂的人生命运。但是，由于两作家所处的历史环境与接受的文化思想不同，两人在女性意识方面表现出很大的不同。本文将从这一角度入手，，用比较文学平行研究的方法，从以下四个方面展开论述。 第一部分：考察中日两国近现代女性文学的状况。通过分析两作家同时代女性作家的文学，揭示两者在女性文学史上的地位及重要性。从女性意识的角度研究两作家的作品，对推动两国女性文学的发展所具有的积极作用。第二部分：考察两作家不寻常的人生经历。指出正是由于作家的经历不同，才会产生独特的作品。第三部分：从与母亲的关系、对自由的向往以及对男性的态度分析比较两作家作品中的女性意识。第四部分：从女性意识的角度分析比较两作家不同的创作手法。具体从双重身份、心理描写、具体的意象、细节描写这四个方面展开论述。 迄今为止，中日两国学者从对本国文学研究的立场出发，分别从各个不同的角度对两作家作了深入的研究，分析了她们在各自文学史上的地位，但将二者进行比较研究的论文甚少。本论文将从女性意识的角度入手，将两作家作平行研究，试图揭示中日两国近现代女作家的不同点与相同点，目的在于今后使更多的人更加关注中日两国女性文学的比较研究，推动中日两国比较文学的发展。
[Abstract]:Lin Fu-Miko, a modern Japanese female writer, was famous for Showa three years (1928), and later won the third Women's Literature Prize for "Evening Chrysanthemum". Later, "floating Cloud" was called the masterpiece of her literature. In addition, he wrote many famous poems and essays. She is a high-profile female writer in modern Japanese literature. Zhang Ailing, a modern Chinese woman writer, created a large number of desolate works such as "Legend" from her unique female perspective. Thus, in the 1940s, it was like a bright star flickering over China's literary world. Her work is now popular with people. When we first read their literary works, we will find that their works have a common feature, that is, they both focus on describing the emotional stories of love between men and women, feeling the misfortune of women with the special feelings of women, and criticizing the society centered on men. At the same time, through the works, we can also experience the twists and turns of the fate of the two writers. However, due to the difference between the two writers' historical environment and their accepted cultural thoughts, the two writers show great differences in the female consciousness. This article will start from this angle, with the comparative literature parallel research method, from the following four aspects. The first part: a survey of the modern and modern female literature in China and Japan. By analyzing the literature of female writers of the same age, this paper reveals the importance and status of the two writers in the history of female literature. The study of the works of the two writers from the point of view of female consciousness plays a positive role in promoting the development of women's literature in the two countries. The second part: examine the unusual life experience of the two writers. The author points out that it is because of the different experiences of the writer that the unique works will be produced. The third part compares the female consciousness in the two writers' works from the relationship with the mother, the yearning for freedom and the attitude towards the male. The fourth part: analyzing and comparing the two writers' different writing methods from the point of view of female consciousness. Specifically from the dual identity, psychological description, specific images, detailed description of these four aspects of the discussion. Up to now, Chinese and Japanese scholars have made in-depth studies of the two writers from different angles from the standpoint of their own literary studies, and analyzed their status in the history of literature of their respective countries. However, the comparative study of the two papers is very few. In order to reveal the differences and similarities between Chinese and Japanese women writers in modern times, this thesis aims to make more people pay more attention to the comparative study of Chinese and Japanese women's literature in the future, from the point of view of female consciousness and the parallel study of the two writers, and tries to reveal the differences and similarities between Chinese and Japanese women writers in modern times. To promote the development of comparative literature between China and Japan.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I0-03;I106.4
本文编号：2466958
[Abstract]:Lin Fu-Miko, a modern Japanese female writer, was famous for Showa three years (1928), and later won the third Women's Literature Prize for "Evening Chrysanthemum". Later, "floating Cloud" was called the masterpiece of her literature. In addition, he wrote many famous poems and essays. She is a high-profile female writer in modern Japanese literature. Zhang Ailing, a modern Chinese woman writer, created a large number of desolate works such as "Legend" from her unique female perspective. Thus, in the 1940s, it was like a bright star flickering over China's literary world. Her work is now popular with people. When we first read their literary works, we will find that their works have a common feature, that is, they both focus on describing the emotional stories of love between men and women, feeling the misfortune of women with the special feelings of women, and criticizing the society centered on men. At the same time, through the works, we can also experience the twists and turns of the fate of the two writers. However, due to the difference between the two writers' historical environment and their accepted cultural thoughts, the two writers show great differences in the female consciousness. This article will start from this angle, with the comparative literature parallel research method, from the following four aspects. The first part: a survey of the modern and modern female literature in China and Japan. By analyzing the literature of female writers of the same age, this paper reveals the importance and status of the two writers in the history of female literature. The study of the works of the two writers from the point of view of female consciousness plays a positive role in promoting the development of women's literature in the two countries. The second part: examine the unusual life experience of the two writers. The author points out that it is because of the different experiences of the writer that the unique works will be produced. The third part compares the female consciousness in the two writers' works from the relationship with the mother, the yearning for freedom and the attitude towards the male. The fourth part: analyzing and comparing the two writers' different writing methods from the point of view of female consciousness. Specifically from the dual identity, psychological description, specific images, detailed description of these four aspects of the discussion. Up to now, Chinese and Japanese scholars have made in-depth studies of the two writers from different angles from the standpoint of their own literary studies, and analyzed their status in the history of literature of their respective countries. However, the comparative study of the two papers is very few. In order to reveal the differences and similarities between Chinese and Japanese women writers in modern times, this thesis aims to make more people pay more attention to the comparative study of Chinese and Japanese women's literature in the future, from the point of view of female consciousness and the parallel study of the two writers, and tries to reveal the differences and similarities between Chinese and Japanese women writers in modern times. To promote the development of comparative literature between China and Japan.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I0-03;I106.4
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