刘熙载艺术史思想研究
发布时间：2019-06-29 17:54
【摘要】：刘熙载的艺术思想富有中国古典美学的终极意味，其《艺概》对文、诗、赋、词曲、书、经义等体裁予以了历史分析和理论总结。史论结合使它既是一部分体艺术概论，又是一部分体艺术史论。他继承中国传统文论对作家作品的评点式方法，采取札记形式分条评述，对艺术史上的有影响的作家几乎都有评论，并遵循《文心雕龙》“原始以表末，释名以章义，选文以定篇，敷理以举统”的原则。在清晰的“史”的背景下，这部谈“艺”的著作分门别类地缕述艺术的源头与演变过程；按时间顺序以名作或代表性作品为分析对象，多有深刻独到的判断；总结各门艺术的特点、技法、规律及当下启示，亦重视艺术的相通之处与旨归，贯穿其对中国传统艺术精神的心得体会。 关于刘熙载艺术观的研究，学者较多地是研究其艺术理论，尤其是其中的艺术辩证法思想。当然，这也是整体性把握刘熙载艺术思想的一条很好的途径，，但以辩证方式为途径研究他的艺术史理论的相关成果尚很少见。本文将立足《艺概》史论结合特点，以二元矛盾演绎的方式，探索刘熙载构建艺术史的理论认识。通过选取刘熙载艺术理论中“经”与“艺”、“品”与“趣”、“正”与“变”、“厚”与“清”这些对应的范畴，对它们作时代、文化、学术以及职业、心理、趣尚等方面的阐释。由深入解析这些二元矛盾，从而探索刘熙载艺术史理论的外在背景与内在理路、宏观统括与微观品味，并总结其“通道必简”的艺术史认识及写作方法，深化认识传统艺术史理论值得当代借鉴的一些优秀传统。
[Abstract]:Liu Xizai's artistic thought is full of the ultimate meaning of Chinese classical aesthetics. His Art outline gives a historical analysis and theoretical summary of the genres of text, poetry, Fu, ci and qu, books, classics and so on. The combination of historical theory makes it not only an introduction to physical art, but also a part of historical theory of physical art. He inherited the critical method of Chinese traditional literary theory on writers' works, commented on them in the form of reading notes, commented on almost all influential writers in the history of art, and followed the principle of "Wen Xin Diao long", "the original is based on the end of the table, the name of interpretation is based on the meaning of the chapter, the selected text is determined by the article, and the arrangement is based on the unity". Under the background of clear "history", this book talks about the origin and evolution of art in different categories; takes famous works or representative works as the object of analysis in chronological order, and has profound and unique judgment; summarizes the characteristics, techniques, laws and current enlightenment of each art, and also attaches importance to the similarities and purport of art, which runs through its experience in the spirit of Chinese traditional art. With regard to the study of Liu Xizai's view of art, scholars mostly study his artistic theory, especially his thought of artistic dialectics. Of course, this is also a good way to grasp Liu Xizai's artistic thought as a whole, but it is rare to study his theory of art history in a dialectical way. Based on the characteristics of the theory of art history, this paper explores Liu Xizai's theoretical understanding of the construction of art history in the way of dualistic contradiction deduction. By selecting the corresponding categories of "Jing" and "Art", "Pin" and "interest", "Zheng" and "change", "thick" and "Qing" in Liu Xizai's art theory, this paper interprets them from the aspects of times, culture, academic, occupation, psychology, interest and so on. By deeply analyzing these dual contradictions, this paper explores the external background and internal reason of Liu Xizai's theory of art history, macroscopical omnibus and micro taste, and sums up the understanding and writing method of art history of "channel must be simplified", and deepens the understanding of some excellent traditions of traditional art history theory worthy of contemporary reference.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J120.9
本文编号：2508002
[Abstract]:Liu Xizai's artistic thought is full of the ultimate meaning of Chinese classical aesthetics. His Art outline gives a historical analysis and theoretical summary of the genres of text, poetry, Fu, ci and qu, books, classics and so on. The combination of historical theory makes it not only an introduction to physical art, but also a part of historical theory of physical art. He inherited the critical method of Chinese traditional literary theory on writers' works, commented on them in the form of reading notes, commented on almost all influential writers in the history of art, and followed the principle of "Wen Xin Diao long", "the original is based on the end of the table, the name of interpretation is based on the meaning of the chapter, the selected text is determined by the article, and the arrangement is based on the unity". Under the background of clear "history", this book talks about the origin and evolution of art in different categories; takes famous works or representative works as the object of analysis in chronological order, and has profound and unique judgment; summarizes the characteristics, techniques, laws and current enlightenment of each art, and also attaches importance to the similarities and purport of art, which runs through its experience in the spirit of Chinese traditional art. With regard to the study of Liu Xizai's view of art, scholars mostly study his artistic theory, especially his thought of artistic dialectics. Of course, this is also a good way to grasp Liu Xizai's artistic thought as a whole, but it is rare to study his theory of art history in a dialectical way. Based on the characteristics of the theory of art history, this paper explores Liu Xizai's theoretical understanding of the construction of art history in the way of dualistic contradiction deduction. By selecting the corresponding categories of "Jing" and "Art", "Pin" and "interest", "Zheng" and "change", "thick" and "Qing" in Liu Xizai's art theory, this paper interprets them from the aspects of times, culture, academic, occupation, psychology, interest and so on. By deeply analyzing these dual contradictions, this paper explores the external background and internal reason of Liu Xizai's theory of art history, macroscopical omnibus and micro taste, and sums up the understanding and writing method of art history of "channel must be simplified", and deepens the understanding of some excellent traditions of traditional art history theory worthy of contemporary reference.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J120.9
【引证文献】
相关硕士学位论文 前1条
1 白静;刘熙载诗学理论研究[D];安徽师范大学;2011年
本文编号：2508002
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