阿多诺对先锋艺术“自发性”的批判

发布时间：2018-01-05 15:16

本文关键词：阿多诺对先锋艺术“自发性”的批判　出处：《文艺理论研究》2017年04期 　论文类型：期刊论文

【摘要】：阿多诺是现代主义艺术的坚定维护者。他从"艺术自律"观念出发,批判了先锋派以"自发性"为核心的艺术理念。他认为所谓的"自发观念"和"直接意识"往往是未经反思的"物化意识"。先锋派的"自动写作""拼贴"和"蒙太奇"等创作手法,不仅使得自律艺术陷入危机,还会危及艺术本身。先锋艺术的艺术形式是无机的,这使得它们不仅不能"介入"现实、批判资本体系,还会因形式破碎而受到"文化工业"的侵染,堕入到资本主义体系之中。对此,阿多诺认为真正优秀的艺术作品应是依据"艺术逻辑"构建自身的作品。此类作品是理性的结晶。"艺术逻辑"既吸纳了"演绎逻辑"的合理之处,又批判了"演绎逻辑"的压抑形态即"工具理性"。然而,阿多诺借助艺术批判理性的做法,遭到哈贝马斯和韦尔默的有意"误读"。他们认为阿多诺的"审美主义"观念实则将审美置于理性之上,试图通过审美来解决社会现代性带来的问题。然而,这种"审美主义"观念恰恰是阿多诺反对的。
[Abstract]:Adorno is a staunch defender of modernist art. He starts from the concept of "artistic self-discipline". He criticized the avant-garde 's artistic idea of "spontaneity" as the core. He believed that the so-called "spontaneous concept" and "direct consciousness" were often "materialized consciousness" without reflection. The avant-garde "automatic writing" "collage" And "montage" and other creative techniques. It not only makes self-discipline art into crisis, but also endangers art itself. Avant-garde art forms are inorganic, which makes them not only unable to "intervene" in reality and criticize capital system. It will also be invaded by "cultural industry" because of its broken form, and will fall into the capitalist system. Adorno thinks that the truly excellent works of art should be constructed according to "artistic logic", which is the crystallization of reason. "artistic logic" not only absorbs the rationality of "deductive logic". It also criticizes the oppressive form of "deductive logic", that is, "instrumental rationality". However, Adorno uses art to criticize rationality. "misread" by Habermas and Vermer. They think that Adorno's "aestheticism" actually puts aesthetics above reason and tries to solve the problems caused by social modernity through aesthetics. This idea of "aestheticism" is exactly what Adorno opposes.
【作者单位】：中国人民大学文学院;
【基金】：中国人民大学科学研究基金(中央高校基本科研业务费专项资金资助)项目“阿多诺美学理论研究”[项目编号:17XNB020]阶段成果
【分类号】：J05
【正文快照】： 现代主义艺术(modernistic art)(1)的核心价值规范是“艺术自律”,其最为精确的表达是唯美主义主张的“为艺术而艺术”(比格尔,《先锋派理论》117—26)。然而,艺术自律观念却遭到以超现实主义、达达主义和表现主义等为代表的“激进现代主义”即“先锋派”的挑战。可以说,如

【相似文献】