《仓央嘉措诗歌》汉译本新视角研究

发布时间：2018-01-10 11:04

本文关键词：《仓央嘉措诗歌》汉译本新视角研究　出处：《西北民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文辩证地分析了原文读者和译文读者对《仓央嘉措诗歌》的思想定位。原文读者大多将其定位为"道歌",也有少数学者认为《仓央嘉措诗歌》是"政治讽喻诗"。原文读者大多将其定位为"情歌",也有少数专家学者将其定位为"政治讽喻诗"和"宗教道歌";限于文化背景和学识素养等因素,专家学者学者的理念没有在汉文化圈内实行开来。以于道泉、刘家驹、曾缄、刘希武、王沂暖、庄晶、苏朗甲措和周良沛、龙冬的八个《仓央嘉措诗歌》汉译版本为依据,从翻译心理学的角度探析了《仓央嘉措诗歌》自20世纪30年代起至今仍深受读者喜爱的原因,得出了《仓央嘉措诗歌》符合读者的文化心理机制的结论。从翻译传播学的角度探讨了《仓央嘉措诗歌》译介的影响,即向异域文化传播了宗教文化、民俗文化和地域文化;顺带地分析了《仓央嘉措诗歌》译本层出不穷,是因为藏文化奇特的意象,原文没有精确的定本;译者在解读时不了解相关的历史背景,以及没能准确把握作者的宗教情感;对诗歌字词义的误译,民歌与《仓央嘉措诗歌》想混,译者个人创作发挥等众多原因导致误译版本涌现。为纠正和完善之前的译本,复译又催生了新的译本;加上社会方面的审美心理和商业因素译本不断衍生。从文化翻译学的角度剖析了《仓央嘉措诗歌》汉译本对社会的价值,即《仓央嘉措诗歌》汉译本作为一种文学作品,是文学创作的结果,满足了读者的审美需求,促进了民族文化交流和融合。
[Abstract]:This paper dialectically analyzes the ideological position of the readers of the original text and the target text to the Poems of Cang Yang Jiacuo. Most of the original readers regard them as "Taoist songs". There are also a few scholars think that "Cang Yang Jiacuo poem" is a "political allegory poem". Most of the original readers regard it as "love song", while a few experts and scholars define it as "political allegory poem" and "religious Tao song". Limited to such factors as cultural background and academic literacy, the ideas of experts and scholars have not been implemented in the Han cultural circle. In order to Yu Daoquan, Liu Jiazu, Zeng Zen, Liu Xiwu, Wang Yineng, Zhuang Jing, Su Langjiazuo and Zhou Liangpei. On the basis of the Chinese translation versions of Longdong's eight poems of Cang Yang Jiacuo, this paper explores the reasons why they are still popular with readers from the perspective of translation psychology. The author draws a conclusion that the poetry of Cang Yang Jiacuo accords with the readers' cultural psychological mechanism. From the perspective of translation and communication, the author discusses the influence of the translation of "Cang Yang Jiacuo Poetry", that is, the spread of religious culture to foreign cultures. Folk culture and regional culture; By the way, the author analyzes the endlessly emerging versions of Cang Yang Jiacuo's Poems because of the peculiar images of Tibetan culture and the fact that the original text does not have an accurate final version. The translator does not understand the historical background and fails to grasp the author's religious feelings. In order to correct and perfect the previous versions, the mistranslation of the meaning of poetry words, the confusion between folk songs and "Cang Yang Jiacuo Poems", and the personal creation of translators have led to the emergence of mistranslated versions. In order to correct and perfect the previous versions, retranslation has given birth to new versions. In addition, the translation of social aesthetic psychology and commercial factors is constantly derived. From the perspective of cultural translation, this paper analyzes the social value of the Chinese translation of Cang Yang Jiacuo's Poems. As a kind of literary works, the translation of "Cang Yang Jiacuo Poems" is the result of literary creation, which satisfies the aesthetic needs of readers and promotes the exchange and integration of national culture.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I046;H214

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