思想即是折曲:德勒兹的巴洛克问题

发布时间：2018-01-13 16:02

  本文关键词：思想即是折曲:德勒兹的巴洛克问题　出处：《文艺理论研究》2017年03期 　论文类型：期刊论文

  更多相关文章： 德勒兹 巴洛克 折曲 单子 莱布尼兹

【摘要】：对德勒兹而言,巴洛克的重要性不是艺术史的,它的重要性在于迫使我们去思考"无穷折曲的可能性",以折曲来表达无穷宇宙的无穷细节,而且每一构成细节都由生成所说明。巴洛克因此没有本质,只是意图将折曲这种操作功能推到无限的"风格主义"。德勒兹以莱布尼兹的单子作为思考折曲问题的例证,愈想深入思考单子,就愈扩大地思考(单子之外的)宇宙,单子(最小)与宇宙(最大)有一种不可思考的非关系,而且正是在这种非关系中相互定义与相互折曲,二者共构了由"介于二"或双界限的不可能共存所说明的"中域"(milieu)或"共同界限"。透过对折曲的构思,德勒兹同时答覆了"何谓思考?"这个哲学的基本问题。
[Abstract]:To Deleuze, Baroque's importance is not in the history of art, but in forcing us to think about "the possibility of infinite twists" to express the infinite details of the infinite universe. And every detail of the composition is explained by the generation. Baroque therefore has no essence. It is only intended to push the operation function of folding to infinite "stylism". Deleuze takes Leibniz's list as an example of thinking about the problem of folding, and the more he thinks about it, the more he thinks deeply about it. To think more and more about the universe (beyond the list), the list (minimum) and the universe (the largest) have a kind of inthinkable non-relation, and it is in this non-relationship that they define and fold each other. The two construes the "middle domain" or "common boundary" explained by the impossible coexistence between "two" and "two boundaries". Through the idea of twixing, Deleuze also answers "what is thinking?" "the fundamental question of philosophy.
【作者单位】： 台北艺术大学艺术跨领域研究所;
【基金】：国家社科基金重大项目“欧洲生命哲学的新发展”[项目编号:14ZDB018]子课题“法国生命哲学的新发展”阶段性成果
【分类号】：J110.9
【正文快照】： 一、混沌的爆棚 折曲(1)是许多法国哲学家常用的词,原本指的是各式各样材质弯曲、变形、扭动、不再是直线或平面的状态。布料的折曲是衣折,皮肤的折曲则是皱纹。每一件家具上也都有折曲,弯曲的铁管、木料或塑料。如果尺度再放大一点,地壳的折曲形成各种高高低低的山脉海洋。，

本文编号：1419528