论城市艺术节话语体系中文艺工具性的现实意义

发布时间：2018-04-11 06:16

本文选题：城市艺术节 + 文艺工具性　；参考：《山东社会科学》2016年05期

【摘要】：20世纪30年代,文艺工具性理论应时代要求而生,该理论强调文艺的工具性体现在对最广大人群的文化作用上,而这种文化作用是在人群对文艺的参与过程中产生的。现今,文艺工具性理论对文化艺术发展的现实仍具有指导性作用。要真正发挥文化艺术对社会的实际功能,就需要群体在对文化艺术的交流、互动中赋予文化艺术鲜活的发展动力。当代城市艺术节的群众文化活动形式是使文化艺术兴盛的新起点。以集体带个人、以群众文化带个体的艺术创造,将会对文化大发展起到举足轻重的作用。上海国际艺术节群众文化活动举办至今,依托地域文化特色积极展开了形式多样的群众性文化艺术展演活动,由此促成的艺术与人近距离的接触,为人们对文艺生活形成普遍的、近距离的感知、认同与参与提供了切实的机会,从而有利于发挥文艺工具性的现实意义。
[Abstract]:In the 1930s, the theory of instrumentality of literature and art came into being at the request of the times. The theory emphasizes that the instrumentality of literature and art is embodied in the cultural function of the largest number of people, and this cultural function is produced in the process of the participation of the crowd in literature and art.Nowadays, the instrumental theory of literature and art still plays a guiding role in the development of culture and art.In order to give full play to the actual function of culture and art to the society, it is necessary for the group to exchange the culture and art, and give the culture and art fresh development motive force in the course of interaction.The form of mass cultural activities of contemporary urban art festival is a new starting point for the prosperity of culture and art.The artistic creation with individual and mass culture will play an important role in the development of culture.Since the holding of mass cultural activities in Shanghai International Arts Festival, relying on the regional cultural characteristics, the mass cultural and artistic exhibition activities in various forms have been actively launched, resulting in the close contact between art and people.It provides a practical opportunity for people to form a universal, close perception, identification and participation in literary life, thus helping to play the practical significance of literary and artistic instrumentality.
【作者单位】：复旦大学中国语言文学系;
【分类号】：I0

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