从“视觉转向”到“听觉转向”——兼评重建视听平衡的《中国叙事学》

发布时间：2018-04-27 04:12

本文选题：图像转向 + 听觉文化　；参考：《江西师范大学学报(哲学社会科学版)》2017年03期

【摘要】：图像文化的风生水起是一个全球化文化现象,中国学者也不失时机地在理论上作出了积极回应。不少当代学者都密切关注过视觉文化且多有精彩论述。在相关问题上的反思与评判方面,呼唤"听觉文化"觉醒以对抗"视觉文化"侵袭的理念尤为值得关注。以傅修延为代表的中国学者在"听觉文化"领域的深耕与广拓,可谓卓有成效且成绩斐然,例如其《中国叙事学》从"转换研究范式""更新既有观念"等方法入手,"回望中国叙事历史自身的传统",超越西方经典与后经典叙事之"影响迷雾",以融贯中西、守正创新的胸怀,试图在视听严重失衡的背景下重构中国叙事学的当代形态,在对"重听""音景""聆察"等概念与范畴的创造性阐发过程中,为重建"视听平衡"的中国叙事学、弥补听觉之维的缺失做出了有益的探索。
[Abstract]:The emergence of image culture is a global cultural phenomenon, and Chinese scholars have also made a positive response in theory. Many contemporary scholars have paid close attention to visual culture and have many wonderful discussions. On the reflection and evaluation of related issues, the concept of "auditory culture" is called to combat the concept of "visual culture" invasion. It is particularly worthy of attention. The Chinese scholars, represented by Fu Xiuyan, have been fruitful and fruitful in the field of "auditory culture". For example, the Chinese narratology, from the "transformation research paradigm", "renewing the existing concept", "looks back on the tradition of Chinese narrative history" and transcends the western classics and the post classic narration. In order to reconstruct the "audio-visual balance" of Chinese narratology and make up for the lack of auditory dimension, it has made a useful exploration in the process of reconstructing the "audio-visual balance" of Chinese narratology in the process of reconstructing the concept and category of "hearing" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "hearing" and other concepts and categories.

【作者单位】：中国社会科学院文学研究所;
【分类号】：I0

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