论回到初心的艺术

发布时间：2018-05-04 03:31

本文选题：艺术 + 艺术学理论　；参考：《艺术百家》2017年02期

【摘要】：假设人有初心,我们能回到初心吗?假设有回到初心的艺术,谁能创造这样的艺术?美(艺术)是看世界的方式,是灵魂结构中的诸相之一,但不是美学逻辑程式的认知。美学的逻辑程式是背离初心的。初心,当其与有意义的艺术创造形式同构时,它是某种原初感动的蕴。而原初感动也是难的。对艺术知识、艺术表达式的感动,混同了对初心的感动。初心是种种假设,它们作为语言的碎片在漂移。在艺术中,人假设了各种初心漂移的途径。回归自然本真,是途径之一。这是语言作为人的一个渴望,一个梦想。初心是语言的梦想。我在呼唤初心时,已在梦中。回归初心,即回归个人的历史书写。就艺术创作而言,回到初心,是重新出发的一种态度或一种新艺术生成的力量。
[Abstract]:Assuming that people have the initial mind, can we return to the initial mind? If there is a return to the original art, who can create such art? Beauty (art) is the way to see the world and one of the phases in the structure of the soul, but it is not the cognition of the aesthetic logic program. The logic of aesthetics deviates from the original. The initial heart, when isomorphic to the meaningful form of artistic creation, is a kind of original touch. And the original touch is also difficult. To art knowledge, art expression moved, mixed with the original heart moved. The initial center is a variety of hypotheses that drift as fragments of language. In art, one assumes various ways of initial drift. To return to nature is one of the ways. This is a language as a human desire, a dream. The first heart is the dream of language. I was in my dream when I called my first heart. Return to the initial mind, that is, return to the personal history of writing. In terms of artistic creation, returning to the beginning is a new attitude or a force of new art.
【作者单位】：云南大学艺术学院;
【分类号】：J05

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