技术统治与艺术拯救——海德格尔的技术之思及其生态伦理学意义

发布时间：2018-05-10 22:06

本文选题：技术统治 + 艺术拯救　；参考：《山东社会科学》2017年07期

【摘要】：在海德格尔看来,世界成为图像是现代的本质。现代的进程即人对世界进行控制和征服的过程,而科学和技术正是达到这种现代之本质的最重要的道路之一,因此对技术统治的反思构成海德格尔后期哲学关切的最迫切的任务。海德格尔对现代技术的"解蔽"与"座架"本质进行了揭示,对技术统治造成的"存在遗忘"和"存在离弃"的危险进行了勾画,也为技术的拯救开启了通向"开端之思"和"诗意艺术"的道路。海德格尔的技术之思具有重要的生态伦理学意义,因为它关心技术时代的自然的现状,以及由技术引起的人与自然的关系问题,追问技术时代"是否和如何还能有家园"的问题,指向让物作为物、让人作为人、让自然作为自然存在的"存在之真理",也即指向人在大地上的"诗意栖居"。而"栖居"与"住所"正构成原初的生态伦理学的主题,重新思考海德格尔的技术与艺术之思对于生态美学、文化研究以至整个生态文明建设都具有重要的启示意义。
[Abstract]:In Heidegger's view, the world becomes the image is the modern essence. The modern process is the process of man's control and conquest of the world, and science and technology are one of the most important ways to achieve this modern essence. Therefore, the reflection on the rule of technology constitutes the most urgent task of Heidegger's later philosophical concern. Heidegger reveals the nature of modern technology's "uncovering" and "seat frame", and outlines the danger of "existence forgetting" and "existence abandoning" caused by the rule of technology. It also opens the way to the thought of beginning and poetic art. Heidegger's thought of technology is of great significance in ecological ethics because it is concerned with the present state of nature in the technological age and the relationship between man and nature caused by technology. In the age of technology, the question of whether and how to have a home is pointed to the "truth of being", that is, the poetic dwelling of man on the earth, that is, to let things as things, people to be human beings, and nature to be the "truth of existence" of nature. "dwelling" and "dwelling" are the themes of the original ecological ethics. Rethinking Heidegger's thought of technology and art has important implications for ecological aesthetics, cultural research and even the whole construction of ecological civilization.
【作者单位】：南京大学艺术研究院;
【基金】：国家社会科学基金项目“生态语言学与生态文学、文化理论研究”(项目编号:1213ZW007)的阶段性成果
【分类号】：J0-05

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