从“碎微空间”到“分形空间”:后现代空间的形态重构及美学谱系新变

发布时间：2018-05-11 04:08

本文选题：碎微空间 + 分形　；参考：《福建师范大学学报(哲学社会科学版)》2017年05期

【摘要】：在后现代语境中,空间的碎微化特质成为空间形态的主导表征形式,影响到主体的生存方式与审美体验,成为当代美学和文化研究领域新的理论生长点。碎微空间的生成来自于新媒体的信息革命和社会化"微媒介"传播手段的提升,呈现出"微叙事"的艺术文本审美特质,并以"仿像""瞬间失意"等方式促使后现代主体审美体验和存在观念的变革。而其深层原因则是后现代社会和主体物质生产方式的调整带来新一轮的空间生产和空间压缩。与空间碎微化进程同时出现的,则是建立在"自相似"和"自生长"基础上的分形空间,它以动态的交往原则和自由的信息流动,完成后现代空间形态的重构,并以审美共通感促使美学话语的再次释放。从碎微空间到分形空间所表征出来的艺术实践成为切入美学研究的重要视角,美学也呈现出流动性和"游牧性"的多元景观。通过对主体感性能力的确证和对总体化权力的反思,美学本体走出一条从审美文化到美学意识形态的理论谱系。
[Abstract]:In the post-modern context, the particularity of space has become the dominant representation of the spatial form, which has affected the subject's living style and aesthetic experience, and has become a new theoretical growth point in the field of contemporary aesthetics and cultural research. The formation of broken micro-space comes from the information revolution of new media and the promotion of socialized "micro-media" communication means, showing the aesthetic characteristics of "micro-narrative" artistic text. It also promotes the change of aesthetic experience and existential concept of postmodern subject by means of "imitation" and "instant disappointment". The deep reason is that the adjustment of the post-modern society and the main material production mode brings a new round of space production and space compression. At the same time as the process of spatial fragmentation, fractal space is based on "self-similarity" and "self-growth". It reconstructs the post-modern spatial form with the principle of dynamic communication and free flow of information. And aesthetic common sense to promote the release of aesthetic discourse. The art practice represented by fractal space has become an important angle of view of aesthetic research. Aesthetics also presents a multi-landscape of mobility and "nomadic". Through the confirmation of the perceptual ability of the subject and the reflection on the power of collectivization, the aesthetic ontology goes out of a theoretical pedigree from aesthetic culture to aesthetic ideology.
【作者单位】：河南大学文艺学研究中心;
【基金】：国家社科基金项目“文化现代性视域中的艺术自律问题研究”(项目批准号:10BZW002) 河南省哲学社会科学规划项目“空间转向与文学研究方法论转型”(项目批准号:2016CWX027) 河南省教育厅人文社科研究项目“空间美学的建构与后现代美学理论新变”(项目号批准号:2016—qn—081) 中国博士后科学基金面上资助项目(项目批准号:2016M592277) 中国博士后科学基金特别资助项目(项目批准号:2017T100527)
【分类号】：I01

【相似文献】