帕木竹巴时期西藏工艺美术研究

发布时间：2018-05-12 14:11

本文选题：西藏美术 + 帕木竹巴时期　；参考：《西藏大学》2017年硕士论文

【摘要】：本论文旨在探讨西藏帕木竹巴时期工艺美术的工艺概况、工艺美术的发展以及工艺品的艺术风格。文章以社会背景为主线,全面记载帕木竹巴时期西藏工艺美术的历史进程,并完整记述工艺品的代表作品、材质、使用功能、文化形态等方面,还原工艺品的形制、纹样及其背后的文化内涵,阐述工艺美术所具有的社会历史、科学技术、实用美术、审美文化等文化价值。用工艺美学的学科专业视角来记述融历史性、知识性、学术性、实用性、审美性于一体的西藏帕木竹巴时期工艺美术,最后向世人展现西藏工艺美术品映射帕木竹巴历史时期精神文明和物质文明灿烂的光辉。从帕木竹巴时期西藏的政治局势、经济背景及文化背景等全面系统的梳理了西藏工艺美术发展的历史与社会背景,并且在这个大背景下将明朝与藏地两地工艺美术之间的交流、融合、演变的关系进行概况性的阐述。对帕竹时期西藏工艺美术的主要技艺类型及它们的文化形态进行了研究整理,从而可以概括整个帕竹时期的西藏工艺美术的概况。涉及到工艺美术范踌的金属铸造、编制刺绣、服饰、木雕、石雕、骨雕、瓷器以及面具等方面。重点介绍金属铸造、编制刺绣及服饰等工艺类型,并结合文献资料对这些工艺品在材质、形态、纹饰等方面上的特点进行论证和梳理,最终探索帕木竹巴时期的工艺美术在继承前朝工艺成就的基础上,将帕竹时期西藏工艺美术的社会历史、科学技术、审美文化等文化形态表现出来。以历史学、宗教学、民族学的角度,解析在明朝的“多封众建”治藏政策影响下西藏工艺美术发展的情况。用在宗教用品上数量的增多、审美风格上趋于宗教器物风格等方面来体现对西藏地方实行“多封众建”政策下西藏工艺美术的发展概况及艺术风格的形成。在梳理这一历程的时候,同时也注重对造成风格演变的原因与背景进行探讨。帕木竹巴时期西藏工艺美术研究以帕木竹巴时期西藏工艺美术艺术品为区域文化的切入点,以传播西藏民族文化为目的,客观地反映帕木竹巴时期西藏工艺美术的面貌。不仅对工艺美术从业人员具有理论引导的作用,对喜爱收藏与探究西藏区域文化发展者亦具有参考价值。更是对中国工艺美术历史的形成与发展起到重要的作用,在中国工艺美术文化中占有举足轻重的历史地位。
[Abstract]:The purpose of this paper is to discuss the process of arts and crafts, the development of arts and crafts and the artistic style of arts and crafts in Parmuba period of Tibet. Taking the social background as the main line, the article comprehensively records the historical process of Tibetan arts and crafts in the period of Parmuzhuba, and fully describes the representative works, materials, use functions, cultural forms, and so on of the handicrafts, so as to restore the shape of the handicrafts. This paper expounds the cultural values of arts and crafts, such as social history, science and technology, practical art, aesthetic culture and so on. The arts and crafts of the period of Pam Mu Ba in Tibet, which is integrated with historical, intellectual, academic, practical and aesthetic aspects, are described from the perspective of subject and specialty of craft aesthetics. Finally, the Tibetan arts and crafts reflect the brilliant spiritual civilization and material civilization in the historical period of Parmuba. From the perspective of the political situation, economic background and cultural background of Tibet during the period of Parmuzhuba, this paper systematically combed the historical and social background of the development of Tibetan arts and crafts, and under this background, it will exchange arts and crafts between the Ming Dynasty and Tibet. Fusion, evolution of the relationship for a general description. In this paper, the main technical types and cultural forms of Tibetan arts and crafts in Pazhu period are studied and arranged, so as to summarize the general situation of Tibetan arts and crafts in the whole period of Pazhu period. It involves metal casting, embroidery, clothing, wood carving, stone carving, bone carving, porcelain and masks. This paper mainly introduces the technological types of metal casting, embroidery and clothing, and discusses and combs the characteristics of these handicrafts in material, shape, pattern, etc. Finally, on the basis of inheriting the achievements of the previous period, the arts and crafts of Pabu period were represented by the social history, science and technology, aesthetic culture and other cultural forms of Tibetan arts and crafts in Pazhu period. From the perspective of history, religion and ethnology, this paper analyzes the development of Tibetan arts and crafts under the influence of the policy of "multi-banding and public building" in the Ming Dynasty. The development of Tibetan arts and crafts and the formation of artistic style are reflected in the aspects of increasing the quantity of religious articles and tending to religious objects in aesthetic style. In combing this process, we also pay attention to the causes and background of style evolution. The study of Tibetan arts and crafts in Parmuzhuba period took the art of arts and crafts in Parmuzhuba period as the entry point of regional culture and in order to spread Tibetan national culture objectively reflected the appearance of Tibetan arts and crafts in Parmuzhuba period. It is not only a theoretical guide for arts and crafts practitioners, but also a reference for those who like to collect and explore the development of Tibetan regional culture. It also plays an important role in the formation and development of Chinese arts and crafts history and occupies a pivotal historical position in Chinese arts and crafts culture.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

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