视觉形象和现实之间的悖异性研究

发布时间：2018-05-13 05:28

本文选题：视觉文化 + 现实　；参考：《东北师范大学》2010年硕士论文

【摘要】： 这是一个视觉统帅世界的时代。 1913年,视觉文化这个概念正式被提出,直到1980年左右,学术界认同了这个概念。在视觉文化时代中,图像取代文字主导文化霸权,视觉从未在一个时期得到过如此高的地位,视觉也从未如此的繁忙过。视觉文化的研究主要集中在视觉性上,伴随科技的发展,大众传媒和数码技术的出现,由视觉形象构建的现实出现了虚拟的意味,现实的意义开始消解,现实不再真实,形象与它的所指之间出现了断裂,两者之间的关系发生了变化。这不可避免的触及到了一个视觉文化的悖论。这个悖论影响到了社会中的种种现实表征,人们更是受到文化更迭的影响,无论是行为准则还是审美标准或是思考方式都发生了转变,环境把文化带来的影响投射给了在它境内的一切存在。设计是一种视觉文化现象,这个时代充斥着设计,“非设计,不生活”已俨然成为时代的口号。因此从设计的角度来解析形象和现实之间的悖论问题,有着及其重要的现实意义。本文从视觉文化的源起出发,介绍了图像的转向,视觉文化的悖论在社会具体表征中的具体表现。重点部分是视觉文化时代的设计,设计这种功利性的社会活动在图像时代遭遇的问题,并对此进行阐述。在之前的论证后反思视觉文化时代中当代设计中所存在的矛盾,联系中国的传统哲学思想进行论证,并瞻望未来,为未来设计提出坚实的理论支撑。
[Abstract]:This is an era of vision commander-in-chief of the world.
In the 1913, the concept of visual culture was formally proposed. Until about 1980, the concept was recognized by the academic community. In the age of visual culture, the image replaced the literal hegemony, and the vision never had such a high position in a period of time, and the vision had never been so busy.
The research of visual culture is mainly focused on the visual nature, with the development of science and technology, the emergence of mass media and digital technology, the reality of the visual image has appeared the virtual meaning, the realistic meaning begins to disappear, the reality is no longer true, the image and its finger appear broken, the relationship between the two has changed. This can not be changed. The paradox of avoidance touches the paradox of a visual culture. This paradox affects the realistic representation of society. People are influenced by cultural change, whether it is the code of conduct, the aesthetic standard or the way of thinking, and the environment brings the influence of culture to all the existence in its territory.
Design is a visual cultural phenomenon, the era is full of design, "non design, not life" has become the slogan of the times. Therefore, it is of important practical significance to analyze the paradox between image and reality from the perspective of design.
This article, starting from the origin of visual culture, introduces the direction of image and the concrete manifestation of the paradox of visual culture in the concrete representation of the society. The key part is the design of the age of visual culture, the problems encountered in the design of this utilitarian social activity in the age of image, and the explanation of the visual culture after the previous argument. The contradictions existing in the contemporary design of the middle and contemporary generations are linked up with the traditional Chinese philosophical thinking, and look forward to the future, which will provide solid theoretical support for the future design.

【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J06

【共引文献】