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探析艺术创作主体的心境差异对艺术作品的影响

发布时间:2018-05-26 00:12

  本文选题:艺术创作心理 + 艺术作品 ; 参考:《江西师范大学》2010年硕士论文


【摘要】:艺术心理学是艺术学与心理学交叉的学科,主要从艺术创作和艺术欣赏两个角度去研究人类在艺术活动的心理机制。最著名的艺术心理学是格式塔心理学(Gestalt Psychology),又称完形心理学,其集大成者为阿恩海姆,其学说重在脑波力与视觉反应的关系。除此之外,精神分析亦是艺术心理学的重点学科,其创始人为佛洛伊德。 早期格式塔心理学的创始人韦特墨、考夫卡和苛勒主张格式塔效应的普遍有效性,认为可以被应用于心理学、哲学、美学和科学的任何领域。主张研究应从整体出发,考察以便理解部分。20世纪30年代后,他们把格式塔方法具体应用到美学中,与心理的各个过程结合,促进了具有格式塔倾向的美学研究。如把对视觉的研究与对艺术形式的研究结合,视觉成为对视觉对象结构样式整体把握的感觉能力。格式塔心理学为社会心理学、美学研究提供了新的视角,曾在西方心理学界引起很大的轰动。如今格式塔方法已渗入许多领域的研究方法,但学说内部仍有很多关于结构的基本问题没有彻底解决,因此学说现仍在不断修正改进之中,格式塔对西方文艺界、美学界的影响延续至今,如美国美学家阿恩海姆曾将格式塔方法应用到艺术研究中,取得了丰硕成果。美籍德国心理学家、艺术理论家阿恩海姆将完形心理学的基本理论,尤其是“知觉场”概念和“同形论”引入审美心理研究领域。 在我国的艺术心理学研究的人较少,20世纪20、30年代还是个荫芽的状态,以介绍和引进西方美学新观念新方法为主。到了80、90年代是一个成长期,特点是百花齐放,成果丰硕,以美学为主流。像胡家祥编写的《文艺的心理阐释》,童庆炳编写的《艺术与人类心理》,吕景云编写的《艺术心理学新论》,他们认为审美主体是美学研究的主要对象,对审美主体而不是审美对象的研究的深入,成了美学进步的一个显著标志。而到20世纪90年代至今,我国的艺术心理学处于一个停滞时期,主要是以美学家和文艺学家的理论为基础。 本文研究以艺术心理学理论为基础,研究不同的艺术家创作作品的心理状态,深入剖析艺术家创作的接受教育背景、情感渐变经历、与所依存社会环境的心境矛盾。从艺术家的心理去分析作品最终成像的成因。 本文主要采用的研究方法分别是:演绎法、分析法、列举法、对比法,调查法。
[Abstract]:Art psychology is an interdisciplinary discipline of art and psychology. It mainly studies the psychological mechanism of human beings in art activities from the two angles of artistic creation and art appreciation. The most famous artistic psychology is Gestalt Psychology, also known as Gestalt Psychology, whose epitome is Arnheim, whose theory focuses on the relationship between brain wave force and visual response. In addition, psychoanalysis is also a key discipline in artistic psychology, founded by Freud. The founders of early Gestalt Psychology Wetmore, Kafka, and Kohler argued for the universal validity of the Gestalt effect, which could be applied in any field of psychology, philosophy, aesthetics, and science. After the 1930s, they applied the Gestalt method to the aesthetics, combined with the psychological process, and promoted the aesthetic research with the tendency of Gestalt. For example, combining the study of vision with the study of art form, vision becomes the ability to grasp the structural style of visual object as a whole. Gestalt psychology provides a new perspective for social psychology and aesthetic research, which has caused a great sensation in western psychology. Nowadays, the Gestalt method has infiltrated into many research methods in many fields, but there are still many basic problems in the theory about structure that have not been completely solved. Therefore, the theory is still under constant revision and improvement, and the Gestalt is still in the Western literary and art world. American aesthetician Arnheim has applied the Gestalt method to art research, and has achieved fruitful results. Arnheim, an American German psychologist and art theorist, introduced the basic theory of gestalt psychology, especially the concept of "perceptual field" and "homomorphism", into the field of aesthetic psychology. In our country, there are few people who study art psychology in the 20th century or 1930s, mainly by introducing and introducing the new ideas and methods of western aesthetics. In the 1980s and 1990's, it was a growing period, characterized by a hundred flowers bloom, fruitful, aesthetic as the mainstream. Such as Hu Jiaxiang's Psychological interpretation of Literature and Art, Tong Qingbing's Art and Human Psychology, and Lu Jingyun's New Theory of artistic Psychology. They think that the aesthetic subject is the main object of aesthetic research. The study of aesthetic subject rather than aesthetic object has become a remarkable sign of aesthetic progress. From 1990's to now, the art psychology of our country is in a period of stagnation, mainly based on the theories of aestheticians and literary and art scholars. Based on the theory of artistic psychology, this paper studies the psychological state of different artists' creative works, deeply analyzes the educational background of artists' creation, the gradual change of emotion, and the contradiction between the psychological state and the dependent social environment. From the artist's psychology to analyze the cause of the final image of the work. The main research methods used in this paper are deductive method, analysis method, enumeration method, contrast method and investigation method.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J0-05

【共引文献】

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