中国非营利美术馆现状问题分析及发展构想

发布时间：2018-06-08 19:14

本文选题：NPO + 艺术　；参考：《湖北美术学院》2017年硕士论文

【摘要】：随着世界文化艺术领域的不断发展与演变,艺术市场的竞争不断加剧,纯粹国有美术馆收到西方艺术界的强烈冲击,面对日益增长的思想文化需求,国有美术馆已逐渐无法满足国民需求,我国的文化艺术产业模式越来越与国际接轨与同化,当代艺术的发展模式也逐步多元化,民营非营利美术馆如雨后春笋般发展起来。本论文以西方对非营利机构(NPO)的概念及定义作为发散点,并以中外非营利民营美术馆:纽约现代美术馆(MoMA)、今日美术馆、尤伦斯艺术中心(UCCA)等为例,系统分析了非营利机构的历史发展,机制结构和运营模式等。但是,与此同时,我们也应该看到,在当代中国,民营非营利美术馆虽然得以存在和发展,却一直处于在夹缝中艰难生存的状态,照搬照抄西方艺术机构思维和运营模式一定程度上可以起到促进文化艺术在我国的发展,但目前我国的政治制度和国情状况都导致了西方非营利艺术机构的运营模式在中国开展到进退两难和捉襟见肘的状态。本研究在立足于中西方制度体恤的差异及非营利艺术机构现状分析的基础上,探讨与借鉴西方非盈利艺术机构之所以能持续存在原因和发展规律,并由此对中国非盈利艺术机构的未来及发展路径进行分析和展望。
[Abstract]:With the continuous development and evolution of the world's cultural and artistic fields and the increasing competition in the art market, the pure state-owned art galleries have received a strong impact from the western art world and are faced with increasing ideological and cultural demands. The state-owned art gallery has been unable to meet the national demand gradually, the cultural and artistic industry mode of our country is more and more in line with the international and assimilation, the development mode of contemporary art is also gradually diversified, the private non-profit art museum has been developing like bamboo shoots after a spring rain. This thesis takes the concept and definition of NPO in the West as the divergence point, and takes the Non-Profit Private Art Museum in China and Foreign countries as examples: Momai Museum of Modern New York, Today Art Museum, UCCA of Ullens Art Center, etc. This paper systematically analyzes the historical development, mechanism structure and operation mode of non-profit institutions. However, at the same time, we should also see that in contemporary China, although private non-profit art galleries exist and develop, they have always been in a state of difficult existence in the middle of the gap. Copying the thinking and operation mode of western art institutions can to some extent promote the development of culture and art in our country. However, the current political system and national conditions of our country have led to a dilemma and a lack of resources for the operation mode of the Western non-profit art institutions in China. Based on the analysis of the differences between Chinese and western institutions and the analysis of the current situation of non-profit art institutions, this study explores and draws lessons from the reasons why the non-profit-making art institutions in the West can continue to exist and the law of their development. From this, the future and development of China's non-profit art institutions are analyzed and prospected.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J124

【相似文献】