中国当代艺术中的西方模版

发布时间：2018-06-13 20:33

本文选题：中国与西方 + 当代艺术　；参考：《中国艺术研究院》2010年博士论文

【摘要】： 本论文研究的时间范围为20世纪80年代至当下,主题是中国当代艺术中的西方模版。中国当代艺术从发生之初就模仿西方现代艺术的观念、图式、语言逻辑。这与全球化的时代背景,以及西方文化的强势地位有很大关系。中国当代艺术对西方的模仿,这已经不是中国特有的现象,当今世界所有欠发达国家都存在这样的问题。因为发达国家向欠发达国家提供了走向未来的发展途径,他们的经济、文化、政治等都被全球范围的欠发达国家用作参照体系。中国当代艺术的开端是以西方现代艺术作为模版,它主要体现在改革开放以后,西方思潮大规模传入中国,以及中国结束“文化大革命”后社会意识形态的变化,而带来的一系列文化上的变化。伴随着改革开放和全球化格局下的中国社会发展,中国当代艺术从精神观念、图像语言等层面上对西方现代艺术进行了全面临习、摹仿、移植、嫁接和融合。随着中国当代艺术自身的发展,中国当代艺术家在艺术创造中,逐步回归到中国文化资源和本土文脉的创新探索中,开始了超越西方模版的初步实践。本文通过对具体艺术家的具体艺术理念和艺术图像分析,阐释中国当代艺术家是如何学习西方模版,又是如何进行超越西方模版的实践。进而提出在后殖民文化背景下,在全球化的世界格局下,如何重建中国当代艺术的价值观与话语体系。
[Abstract]:This thesis covers the period from 1980's to the present, and focuses on Western templates in contemporary Chinese art. Chinese contemporary art has imitated the concept, schema and language logic of western modern art from the beginning. This has much to do with the background of globalization and the strong position of western culture. The imitation of Chinese contemporary art to the West is no longer a unique phenomenon in China. Because the developed countries provide the way to the future development of the less developed countries, their economy, culture, politics and so on are used as the reference system by the less developed countries all over the world. The beginning of Chinese contemporary art is to use western modern art as a template. It is mainly reflected in the large-scale introduction of western thoughts into China after the reform and opening up, and the change in social ideology after China ended the "Cultural Revolution". And bring about a series of cultural changes. With the development of Chinese society under the pattern of reform and opening up and globalization, modern western art has been studied, imitated, transplanted, grafted and integrated from the aspects of spiritual concept, image language and so on. With the development of Chinese contemporary art itself, Chinese contemporary artists gradually return to the creative exploration of Chinese cultural resources and local context in the process of artistic creation, and begin the initial practice of surpassing the western template. Based on the analysis of the concrete artistic ideas and images of the concrete artists, this paper explains how Chinese contemporary artists learn from the western templates and how to transcend the western templates. Then it puts forward how to reconstruct the values and discourse system of Chinese contemporary art under the background of postcolonial culture and the global world structure.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J120.9

【引证文献】