论中国当代美术领域中的“文化霸权与文化侵略”

发布时间：2018-06-23 01:11

本文选题：中国当代艺术 + 文化霸权　；参考：《吉林大学》2010年硕士论文

【摘要】： 在“文化全球化”已经成为发展趋势的情况下,“文化霸权与文化侵略”作为一种全球文化发展的不平衡现象影响着世界文化“多元化”的进程。以美国为首的西方国家认为只有西方先进国家和民族的文化才是世界文化的中心和楷模,而非西方的“落后”民族的文化则常被贬称为边缘文化、愚昧文化。当代社会的“文化霸权与文化侵略”方式就是建立在这种殖民主义观点的基础之上的,西方艺术界按照自己的意识形态取向,去培养发展带有政治色彩与文化畸形表达的作品形式,建立所谓的“国际艺术标准”,并且用这种艺术标准去影响大部分当代艺术家的创作与销售。这种只重视艺术政治形态,而抛弃对艺术本质审视的行为,使中国当代艺术在无形间就带有了“西方文化话语权”的特点,从这个角度来审视,西方艺术界对中国当代艺术的选择本身就是一种“文化霸权与文化侵略”行为。本文的研究目的是通过对中国当代艺术中“文化霸权与文化侵略”现象在实现方式、负面影响及策略方面的系统科学分析,让我们能够警视中国当代艺术中的“文化霸权与文化侵略”现象,珍视本国文化,发展出具有本土文化特色与价值取向的艺术新形态。
[Abstract]:Under the situation that "cultural globalization" has become a trend of development, "cultural hegemony and cultural aggression", as an unbalanced phenomenon of global cultural development, affects the process of "pluralism" of world culture. The western countries headed by the United States believe that only the culture of the western advanced countries and nations is the center and model of the world culture, while the culture of the non-western "backward" nationalities is often dismissed as the marginal culture and the ignorant culture. The way of "cultural hegemony and cultural aggression" in contemporary society is based on this kind of colonial view, and the western art circles follow their own ideological orientation. To cultivate and develop the form of works with political color and cultural malformation, to establish the so-called "international art standard", and to use this art standard to influence the creation and sale of most contemporary artists. This behavior, which only attaches importance to the political form of art and abandons the examination of the nature of art, makes Chinese contemporary art have the characteristics of "the right to speak in western culture" in an invisible way. The choice of Chinese contemporary art by western art circles is a kind of "cultural hegemony and cultural aggression". The purpose of this paper is to analyze the ways, negative effects and strategies of the phenomenon of "cultural hegemony and cultural aggression" in contemporary Chinese art. So that we can pay attention to the phenomenon of "cultural hegemony and cultural aggression" in contemporary Chinese art, cherish our own culture, and develop a new form of art with local cultural characteristics and value orientation.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J124

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