试论中国当代艺术的“去身份化”

发布时间：2018-06-27 11:13

本文选题：去身份化 + 身份转移　；参考：《四川美术学院》2017年硕士论文

【摘要】：本文主要研究中国当代艺术身份意识的转移,通过艺术家的简述及其代表作品分析来思考近40年来中国当代艺术家的身份意识变化现象。20世纪以来中国艺术家对自身身份的焦虑一直从未停息,艺术家们所面对的一个重大问题就是如何确认自己的文化身份。上个世纪80年代,经历了中西融合与新时代的集体主义身份转移的中国艺术,获得的最重要的成果之一就是开始走向世界舞台,也因此,中国艺术家的身份再一次被强调。跨国的艺术交流增强了中国艺术家的身份焦虑,在国际艺术舞台上他们的作品除了呈现先锋、前卫精神外,更加突出的便是“中国性”。带有浓厚本土特色的当代艺术,使中国第一次正式的参与到了全球化的艺术游戏中,并用他们独特的“身份”标签为其在国际艺术界赢得了巨大的关注和掌声。21世纪,网络的快速发展,使得世界各国之间的交流越来越紧密,中国当代艺术似乎正在用“去身份化”的姿态来面对这种始料未及的变化。80、90后的年轻艺术家的文化背景和身份意识越来越模糊,他们关注的是全球化的网络空间和最新的文化潮流,他们采用了形式多样,主题新颖,题材跨界,观念多元的艺术手段来呈现全球共同面临的问题;因此,去掉老一代艺术家所赖以存在的“身份“就成为了一种必然。这种新的身份的转移无疑为中国当代艺术的发展带来了新的焦虑和思考,今天的中国当代艺术是否会越来越远离中国的本土文化,与中国的现实与传统断开联系?这种隐隐的忧虑似乎并非因为有了巨大的艺术资本增值和当今的艺术市场的繁荣而烟消云散。新世纪中国当代艺术貌似发展成了一个近乎于完整的系统,如今却已经很难用西方的传统理论和简单的意识形态来阐释其现状。在这种语境下,中国当代艺术家相比之前更加注重艺术家自身的“个性”,而不是集体的文化归属,也因此,“身份”问题进入了更为微观和更为敏感的层面。本文试图通过对历史脉络的梳理,结合当代艺术现场和社会现实,以代表性艺术家为例,来论证中国当代艺术身份所发生的新的转移,这有助于我们了解中国当代艺术,并为中国当代艺术在未来的发展,提供前瞻性的思考。
[Abstract]:This paper mainly studies the transfer of identity consciousness in contemporary Chinese art. Through the brief description of artists and the analysis of their representative works, this paper tries to reflect on the changing phenomenon of Chinese contemporary artists' identity consciousness in the past 40 years. The anxiety of Chinese artists about their identity has never ceased since the 20th century. One of the major problems that artists face is how to identify their cultural identity. In the 1980s, one of the most important achievements of Chinese art, which experienced the integration of China and the West and the transfer of collectivism identity in the new era, was to begin to move to the world stage. Therefore, the identity of Chinese artists was emphasized again. The international art exchange has enhanced the identity anxiety of Chinese artists. In addition to their avant-garde and avant-garde spirit, their works on the international art stage are even more prominent in "Chineseness". Contemporary art with strong local characteristics makes China formally participate in the art game of globalization for the first time. With their unique "identity" label, it has won great attention and applause in the international art world in the 21st century. With the rapid development of the network, the communication between countries in the world is getting closer and closer. It seems that Chinese contemporary art is facing the unexpected change of cultural background and identity consciousness of the young artists of the 1980s and 90s with the gesture of "deidentity". They are concerned about the globalization of cyberspace and the latest cultural trends. They have adopted a variety of artistic means with diverse forms, novel themes, cross-border themes, and diverse concepts to present problems that are common to the whole world Removing the "identity" on which the older generation of artists depends has become a necessity. This new identity transfer undoubtedly brings new anxiety and thinking to the development of Chinese contemporary art. Will the contemporary art of China be more and more far away from China's native culture and disconnect from the reality and tradition of China? This vague concern does not seem to have been dispelled by the huge appreciation of art capital and the boom in today's art market. Chinese contemporary art seems to have developed into a complete system in the new century, but it is difficult to explain its present situation with the western traditional theory and simple ideology. In this context, Chinese contemporary artists pay more attention to their own "individuality" than before, rather than collective cultural ownership, therefore, "identity" has entered a more micro and sensitive level. By combing the historical context, combining the scene of contemporary art and social reality, and taking representative artists as an example, this paper tries to demonstrate the new transfer of Chinese contemporary art identity, which is helpful to us to understand Chinese contemporary art. And for the future development of Chinese contemporary art, to provide forward-looking thinking.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

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