“白蛇传”的民间叙事及艺术多样化表现

发布时间：2018-07-05 02:29

本文选题：白蛇传 + 蛇图腾　；参考：《山东工艺美术学院》2016年硕士论文

【摘要】：“白蛇传”与“牛郎织女”、“孟姜女”、“梁山伯与祝英台”合称为“中国四大民间传说”。起源于民间、流传于民间的白蛇传故事,优美又神秘,其爱情文本和叙事立场深深植根于中国传统文化,从故事形成到传播形式都具有强烈的民间性,蕴含深刻的民俗文化隐喻。八百多年来,经过历代文人的修改、润色,它已成为我国民间文化中一颗灿烂夺目的明珠。在故事的传播过程当中,除了我们熟知的口头传统,民间美术的丰富表达方式也为其增添了无穷生命力。文章共分这四个章节,以剖析白蛇传故事的产生、原型和流变为索引,分层揭示故事蕴含的深层文化渊源,最后以民间艺术的丰富表现探究白蛇传的民俗背景和文艺价值。文章首先阐述白蛇传内含的图腾文化与民间信仰,共分为三个部分,分别对蛇图腾产生的原因、蛇图腾崇拜在中国文化史上经历的三个阶段以及民间信仰中蛇的形象和作用进行梳理、分析。第二章叙述白蛇传故事在中华民族传统文化的大语境中经历了怎样的发育、流变,为第三章和第四章的论述提供背景支撑。文章第三章分析白蛇传故事传播的文化生态,即对其“民间性”进行深入探讨。本章分为两个部分进行说明:第一部分剖析白蛇传故事的母题和原型,这有利于从纷繁复杂的白蛇传异文中找到故事“民间性”的根源所在;第二部分阐述白蛇传故事与端阳节等民俗的内在联系,此为佐证故事“民间性”的外在表现。第四章作为文章重点,从审美特征和文化心理等方面欣赏“白蛇传”母题下的各形态的民间艺术表达。本章节选取了白蛇传故事渗入最多的四种民间艺术体裁,即年画、剪纸、皮影以及民间戏曲,并对其分别进行艺术表现和文化隐喻的审美分析。近年来,学者们对“白蛇传”的研究颇丰,但多集中在故事的演变流程、人物形象等层面的讨论,少有人从民艺学的角度对它进行审美分析。笔者正是以此为出发点,尝试从民艺学的视角重新解读白蛇传,希望通过对故事的多维度研究,找寻其历史文化隐喻的终极价值指向,透视其在中国民间文化艺术的继承和发散中所蕴含的深层文化心理,以期对于白蛇传故事的艺术构架起到补充作用。
[Abstract]:"White Snake Biography" and "Niulang Weaving Girl", "Meng Jiangnv", "Liang Shanbo and Zhu Yingtai" are called "four Chinese folklore". The white snake story, which originated from the folk and spread in the folk, is beautiful and mysterious. Its love text and narrative stand are deeply rooted in the traditional Chinese culture. From the formation of the story to the form of communication, it has a strong folklore. It contains profound metaphors of folk culture. For more than 800 years, it has become a brilliant pearl in Chinese folk culture. In the process of spreading the story, in addition to our well-known oral tradition, the rich expression of folk art has added infinite vitality to it. The article is divided into four chapters to analyze the generation, prototype and evolution of the story of White Snake, to reveal the deep cultural origin of the story, and finally to explore the folk background and literary value of White Snake Biography with the rich performance of folk art. The article first expounds the totem culture and folk belief contained in the biographies of White Snake, which are divided into three parts, respectively, the causes of the snake totem. The three stages of snake totem worship in the history of Chinese culture and the image and function of snake in folk belief were analyzed. The second chapter describes how the story of White Snake develops in the context of Chinese traditional culture, and provides the background support for the third and fourth chapters. The third chapter analyzes the cultural ecology of the spread of the story of White Snake, that is, its folklore. This chapter is divided into two parts: the first part analyzes the motif and prototype of the story of White Snake Biography, which is helpful to find out the root of "folklore" of the story from the complicated and complicated novel of White Snake Biography; The second part expounds the inner relationship between the story of White Snake and the folk customs such as Duanyang Festival, which is the external manifestation of the story "folklore". The fourth chapter as the focus of the article, from the aesthetic characteristics and cultural psychology and other aspects of appreciation of "White Snake Biography" under the theme of various forms of folk art expression. In this chapter, four kinds of folk art styles, namely, New year painting, paper-cut, shadow and folk opera, are selected, and the aesthetic analysis of artistic expression and cultural metaphor is carried out respectively. In recent years, scholars have done a lot of research on White Snake, but most of them focus on the evolution of the story, the character image and other levels of discussion, few people from the point of view of folk art aesthetic analysis of it. It is from this point of view that the author tries to reinterpret White Snake Biography from the perspective of folk art, hoping to find out the ultimate value of historical and cultural metaphors through the multi-dimensional study of the story. The deep cultural psychology contained in the inheritance and divergence of Chinese folk culture and art is expected to play a supplementary role in the artistic framework of the story of White Snake Biography.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J0

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