“自然模仿艺术”命题的内涵、理据及其美学意义

发布时间：2018-07-09 20:19

本文选题：自然和艺术的关系 + 模仿说　；参考：《西南大学学报(社会科学版)》2017年05期

【摘要】：自然和艺术的关系是美学研究的一个重要课题,其核心问题是自然和艺术的辩证统一性。"自然模仿艺术"与"艺术模仿自然"这两个命题一同构成自然和艺术的辩证关系的两极。有关"自然模仿艺术"这一命题的内涵及其美学意义,长期以来几乎是研究的空白地带。所谓"自然模仿艺术",是自然在审美中必然显得像艺术,其美学内涵是从"自然美像艺术"的角度揭示自然和艺术的审美同一性。这一命题的理论根据是,自然欣赏必须以艺术的模式组织审美经验,自然美生成于艺术图式在自然中的投射,马克思的对象化理论和康德的先验图型论可以作为其哲学理据。深刻领会这一美学命题的内涵及其意义,为全面系统地把握自然和艺术的关系、艺术的本质乃至美的本质提供了契机。
[Abstract]:The relationship between nature and art is an important subject in aesthetic research, the core of which is the dialectical unity of nature and art. " The two propositions of "natural imitation art" and "art imitation nature" constitute the two poles of dialectical relationship between nature and art. The connotation and aesthetic significance of the proposition of "natural imitation art" has long been a blank area of research. The so-called "natural imitation art" is that nature must appear like art in aesthetic appreciation, and its aesthetic connotation is to reveal the aesthetic identity of nature and art from the angle of "natural beauty like art". The theoretical basis of this proposition is that natural appreciation must organize aesthetic experience by artistic model, natural beauty is generated from the projection of artistic schema in nature, Marx's objectification theory and Kant's transcendental graph theory can be regarded as its philosophical basis. Deeply understanding the connotation and significance of this aesthetic proposition provides an opportunity to comprehensively and systematically grasp the relationship between nature and art, the essence of art and even the essence of beauty.
【作者单位】：河南大学文艺学研究中心;
【基金】：河南省哲学社会科学规划项目“自然美和艺术美的同一性研究”(2015CWX025);项目负责人:王中原河南大学科学研究项目“自然和艺术的同一性研究”(2015YBRW003);项目负责人:王中原
【分类号】：J01

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