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文艺批评何妨“盲人摸象”——文艺批评2.0时代之现实与可能

发布时间:2018-07-28 15:20
【摘要】:正作为"体制"的艺术实际上,在文艺批评领域,绝大多数批评家都难免陷入"盲人摸象"的境地。文艺批评的对象是"文艺"或曰"艺术",而艺术无论作为人的思想和情感的外化,还是对现实生活的精神超越,都是极其复杂的。可以说,人有多复杂、生活有多复杂、大自然有多复杂,艺术就有多复杂。如果说在传统社会,艺术作为文人自娱之举或互娱之交际手段还比较"单纯"[1]。那么,到了现代社会,影响艺术或者说让艺术成为
[Abstract]:In fact, in the field of literary criticism, the vast majority of critics inevitably fall into the situation of "blind people feel the elephant". The object of literary criticism is "literature and art" or "art", but art is extremely complex, whether it is the externalization of human thought and emotion, or the spiritual transcendence of real life. It can be said that art is as complex as human beings, as complex as life and as complex as nature. If in the traditional society, art as a means of communication or entertainment of literati is relatively "pure" [1]. So, in modern society, to influence art, or to make art become
【作者单位】: 中国文联文艺评论中心研究处;
【分类号】:I206.7;J05

【参考文献】

相关重要报纸文章 前1条

1 本报记者 李韵 本报通讯员 丁晨;[N];光明日报;2015年



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