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艺术的本意与意义链

发布时间:2018-07-29 09:18
【摘要】:以主体性为主导的现代艺术常以“对象”的方式处理事物,而人与事物通灵,需“悬隔”主体性,艺术的发生具有人类相通性,本文试图论证艺术经验的连续性来自作为基因的艺术本意。艺术的通灵本意自始就把艺术引向精神之路,艺术的本意在于人对事物用敬,艺术的时刻是人与事物灵性相会的时刻,艺术就是人答谢万物的礼节和仪式。家-国-天下是化为中国古典艺术的经验坐标系的一种意义链,事实上,任何一种具有精神负荷的意义链都有可能化为经验尺度,从而构成经验的延伸能力,使经验变得厚实辽阔,同样,如果一个艺术品内含某种纵深的意义链,就能够成为激活经验之“作”。
[Abstract]:Modern art, which is dominated by subjectivity, often deals with things in the way of "object", and the connection between people and things requires "suspension" of subjectivity, and the occurrence of art is of the same nature as human beings. This paper attempts to demonstrate that the continuity of artistic experience comes from the original intention of art as a gene. The original intention of art is to lead art to the spiritual road from the beginning. The original intention of art lies in the respect of things. The moment of art is the time of spiritual meeting between man and things, and art is the courtesy and ceremony of thanking all things. The family, country and the world are a chain of meaning that can be transformed into an empirical coordinate system of Chinese classical art. In fact, any kind of chain of meaning with spiritual load can be turned into a measure of experience, thus forming the ability to extend experience. Make experience thick and vast, and if a work of art contains a deep chain of meaning, it can become the "work" that activates experience.
【作者单位】: 中国社会科学院哲学研究所;
【分类号】:J01;;I01


本文编号:2152221

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