曾繁仁美学思想流变及学科建设价值研究
发布时间：2018-07-29 11:02
【摘要】：曾繁仁先生在美学领域的探究广泛而富有哲学蕴含,其在美学领域的研究成果为中国美学的发展引领了新的时代潮流。通过从历时和共时的二维关系来看,曾繁仁先生的研究在不同时期呈现出不同的侧重点,概其要者,在其涉足美学之初,主要以坚持马克思历史唯物主义原则从美学中探求“美”与艺术的本质,从中国的具体现实背景出发,将一切可能的美学现象都放置于特定前提条件下的社会历史发展中进行唯物主义性质的分析评判,这是对抽象的“美的内在实质”、“美的理念”的认识论追问。自80年代起,曾繁仁先生的美学思想开始有了明显转变:一方面,其研究重心转向了美育研究;另一方面,在理论依据上,他越来越多地将美学理论与现实生活结合起来,已经自觉不自觉地运用了存在论的思想,即“美”与文艺实践的结合与统一,这种转变拉开了人文回归的序幕,实现了“培养专业艺术家”到“培养生活艺术家”的转变,较之前期,可以看出曾繁仁先生开始在人类存在问题上进行思考与关注。新世纪以后,他进一步在生态美学领域延伸自己的美学探讨,这是曾繁仁在美学理论领域上重大飞跃的一个标志,在这个阶段,他开始在生态美学领域探索人的基本问题,即生存问题,把抽象的“美学”和现实生活状态紧密联系起来,建构符合中国国情的现代化美学体系。曾繁仁先生在漫长的学术生涯中,始终坚持用发展的观点看待“美学”,在社会发展中寻求用抽象的美学来解决社会与人生的有效途径。虽然他的美学研究视角不断更换,但是,在整个研究脉络中,始终贯彻着一条不变的内核-----人的精神提升问题。纵观曾繁仁先生的美学思想,所有的理论建设与努力,无不是为了寻找现代人精神生存困境的出口:从文艺美学传达的审美化生存的希冀,到美育的研究意旨为培养生活的艺术家,再到后来的生态美学研究,核心都是在探索当代人的审美救赎路径,在批判中实现生活境界的提升。在人的精神提升这条不变的内核支撑下,曾繁仁面对不同时代特征又作了不同的回应,其美学思想在其对自身的不断超越中逐渐丰富,其美学理论在当代美学史上,具有极其重要的地位和影响,对当下创建中国特色的美学学科具有重要的启示和促进性作用。
[Abstract]:Mr. Zeng Fanren's research in the field of aesthetics is extensive and full of philosophical implications, and his research results in the field of aesthetics lead a new trend of the times for the development of Chinese aesthetics. From the perspective of diachronic and synchronic two-dimensional relations, Mr. Zeng Fanren's research shows different emphases in different periods, in general, at the beginning of his involvement in aesthetics, In order to adhere to the Marxist historical materialism principle, to explore the essence of "beauty" and art from aesthetics, and from the concrete realistic background of China, It is an epistemological inquiry into the abstract "inner essence of beauty" and "the idea of beauty" to analyze and judge the materialistic nature of all possible aesthetic phenomena in the social and historical development under the specific preconditions. Since the 1980s, Mr. Zeng Fanren's aesthetic thought has changed obviously: on the one hand, his research focus has shifted to the study of aesthetic education; on the other hand, on the theoretical basis, he has more and more combined aesthetic theory with real life. Whether or not the thought of existentialism has been consciously applied, that is, the combination and unity of "beauty" and literary practice, has opened the prelude to the return of humanity and realized the transformation from "training professional artists" to "cultivating artists of life". Earlier, it can be seen that Mr. Zeng Fanren began to think and pay attention to human existence. After the new century, he further extended his aesthetic discussion in the field of ecological aesthetics, which is a symbol of Zeng Fanren's great leap in the field of aesthetic theory. At this stage, he began to explore the basic problems of human beings in the field of ecological aesthetics. In other words, the problem of existence closely links the abstract "aesthetics" with the state of real life, and constructs a modern aesthetic system in accordance with China's national conditions. In his long academic career, Mr. Zeng Fanren has always regarded "aesthetics" from the viewpoint of development, and sought an effective way to solve the problem of society and life with abstract aesthetics in the course of social development. Although his aesthetic research perspective is constantly changing, but in the whole research context, always carry out a constant core-human spirit promotion. Throughout Mr. Zeng Fanren's aesthetic thought, all the theoretical construction and efforts are aimed at finding the exit of the plight of modern people's spiritual existence: the hope of aesthetic existence conveyed by literary aesthetics, To the aesthetic education research intention is to cultivate the artists of life, and then to the later ecological aesthetics research, the core is to explore the aesthetic redemption path of contemporary people, and to realize the improvement of life realm in the criticism. Supported by the constant core of human spirit promotion, Zeng Fanren has made different responses in the face of different characteristics of the times. His aesthetic thought is gradually enriched in his constant surpassing of himself, and his aesthetic theory is in the history of contemporary aesthetics. It has an extremely important position and influence, and has an important enlightening and promoting effect on the establishment of aesthetic discipline with Chinese characteristics.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01
本文编号：2152474
[Abstract]:Mr. Zeng Fanren's research in the field of aesthetics is extensive and full of philosophical implications, and his research results in the field of aesthetics lead a new trend of the times for the development of Chinese aesthetics. From the perspective of diachronic and synchronic two-dimensional relations, Mr. Zeng Fanren's research shows different emphases in different periods, in general, at the beginning of his involvement in aesthetics, In order to adhere to the Marxist historical materialism principle, to explore the essence of "beauty" and art from aesthetics, and from the concrete realistic background of China, It is an epistemological inquiry into the abstract "inner essence of beauty" and "the idea of beauty" to analyze and judge the materialistic nature of all possible aesthetic phenomena in the social and historical development under the specific preconditions. Since the 1980s, Mr. Zeng Fanren's aesthetic thought has changed obviously: on the one hand, his research focus has shifted to the study of aesthetic education; on the other hand, on the theoretical basis, he has more and more combined aesthetic theory with real life. Whether or not the thought of existentialism has been consciously applied, that is, the combination and unity of "beauty" and literary practice, has opened the prelude to the return of humanity and realized the transformation from "training professional artists" to "cultivating artists of life". Earlier, it can be seen that Mr. Zeng Fanren began to think and pay attention to human existence. After the new century, he further extended his aesthetic discussion in the field of ecological aesthetics, which is a symbol of Zeng Fanren's great leap in the field of aesthetic theory. At this stage, he began to explore the basic problems of human beings in the field of ecological aesthetics. In other words, the problem of existence closely links the abstract "aesthetics" with the state of real life, and constructs a modern aesthetic system in accordance with China's national conditions. In his long academic career, Mr. Zeng Fanren has always regarded "aesthetics" from the viewpoint of development, and sought an effective way to solve the problem of society and life with abstract aesthetics in the course of social development. Although his aesthetic research perspective is constantly changing, but in the whole research context, always carry out a constant core-human spirit promotion. Throughout Mr. Zeng Fanren's aesthetic thought, all the theoretical construction and efforts are aimed at finding the exit of the plight of modern people's spiritual existence: the hope of aesthetic existence conveyed by literary aesthetics, To the aesthetic education research intention is to cultivate the artists of life, and then to the later ecological aesthetics research, the core is to explore the aesthetic redemption path of contemporary people, and to realize the improvement of life realm in the criticism. Supported by the constant core of human spirit promotion, Zeng Fanren has made different responses in the face of different characteristics of the times. His aesthetic thought is gradually enriched in his constant surpassing of himself, and his aesthetic theory is in the history of contemporary aesthetics. It has an extremely important position and influence, and has an important enlightening and promoting effect on the establishment of aesthetic discipline with Chinese characteristics.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01
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