当前位置:主页 > 文艺论文 > 文艺评论论文 >

晚清美文学概念的破茧

发布时间:2018-08-21 11:29
【摘要】:晚清是文学概念从古代广义的泛文学概念向现代狭义的美文学概念转换的时期。其转换的重要时代语境,是在西学东渐之下古代美学向现代美学的过渡。尽管以感人的美为特征的新文学概念曾遭到传统文学概念守卫者的阻击,但"文学属于美之一部分"的观念依然成为势不可挡、异口同声的主流共识。而在文学的各种体裁中,当时风行的小说尤以突出的美的效果席卷读者,从而被推为"文学之最上乘",引发了众多理论家对小说审美特征及其机制的探讨。于是,以美为特征的文学概念在这个时期应运而生。
[Abstract]:The late Qing Dynasty was a period when the concept of literature changed from the concept of pan-literature in ancient broad sense to the concept of aesthetic literature in modern narrow sense. The important context of its transformation is the transition from ancient aesthetics to modern aesthetics. Although the concept of new literature characterized by touching beauty was attacked by the guardians of traditional literary concepts, the idea that "literature belongs to a part of beauty" is still an unstoppable and unstoppable mainstream consensus. Among all kinds of literary genres, the popular novels at that time swept the readers with the outstanding effect of beauty, thus being regarded as "the best of literature", which caused many theorists to probe into the aesthetic characteristics and the mechanism of the novels. Thus, the concept of literature characterized by beauty came into being in this period.
【作者单位】: 上海政法学院应用社会科学研究院;
【基金】:国家社会科学基金后期资助项目“中国现当代美学史”(16FZW052) 2016年上海市哲学社会科学规划课题“20世纪以来中国美学的学科转型与演进历程”(2016BWY012) 2016年上海市“高校服务国家重大战略出版工程”项目“中国美学全史(五卷本)”
【分类号】:B83-092


本文编号:2195577

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2195577.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户e6926***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com