情趣与真理——论近代中西艺术观念的逆向演变
发布时间：2018-08-26 20:12
【摘要】：在中国近代开端即明代中晚期的文人艺术家那里,情趣(意趣)艺术观达到了高峰,它继承了自魏晋以来借艺术表达艺术家个人情趣或意趣的观念;直到20世纪初,这种状况才发生了根本性的变化,即现代艺术观开始以启蒙精神为核心的真理追求为艺术的目的。而西方近代艺术思想一直承续着自哲学家柏拉图以来就以真理(理念、理式)为最高目标的艺术观念,甚至到加德默尔《真理与方法》的问世,依然坚持以真理追求为艺术的最高目标;自18世纪起,西方出现了对这一思想的反叛思潮,自康德"游戏说"始,最后由贝尔转向了艺术的有意味的形式(个人趣味、情趣)至上主义。总体来看,两者相向而行,逆向演变,分野明显。两者也有殊途同归之处,那就是对于生存或存在的看重与表达。
[Abstract]:At the beginning of modern China, that is, the middle and late Ming Dynasty literati artists, the artistic conception of interest reached its peak. It inherited the idea of expressing the artist's personal interest or interest by art since the Wei and Jin dynasties; until the beginning of the 20th century, This situation changed fundamentally, that is, the modern art concept began to pursue the truth as the core of the enlightenment spirit for the purpose of art. And the western modern art thought has been carrying on the artistic idea that since the philosopher Plato took the truth (idea, principle) as the supreme goal, even to the advent of Gardmer's "Truth and method". Still adhere to the pursuit of truth as the highest goal of art; since the 18th century, the West has rebelled against this thought, from Kant's "game theory," finally from Bell to the meaningful form of art (personal interest, Taste) supremacy. Overall, the two are opposite, the reverse evolution, the distinction is obvious. There are also differences between the two, that is, the importance and expression of existence or existence.
【作者单位】： 浙江师范大学人文学院;中国社会科学院文学研究所;
【分类号】：J110.9
，
本文编号：2206029
[Abstract]:At the beginning of modern China, that is, the middle and late Ming Dynasty literati artists, the artistic conception of interest reached its peak. It inherited the idea of expressing the artist's personal interest or interest by art since the Wei and Jin dynasties; until the beginning of the 20th century, This situation changed fundamentally, that is, the modern art concept began to pursue the truth as the core of the enlightenment spirit for the purpose of art. And the western modern art thought has been carrying on the artistic idea that since the philosopher Plato took the truth (idea, principle) as the supreme goal, even to the advent of Gardmer's "Truth and method". Still adhere to the pursuit of truth as the highest goal of art; since the 18th century, the West has rebelled against this thought, from Kant's "game theory," finally from Bell to the meaningful form of art (personal interest, Taste) supremacy. Overall, the two are opposite, the reverse evolution, the distinction is obvious. There are also differences between the two, that is, the importance and expression of existence or existence.
【作者单位】： 浙江师范大学人文学院;中国社会科学院文学研究所;
【分类号】：J110.9
，
本文编号：2206029
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