马尔库塞论新感性的解放
发布时间：2018-10-09 11:24
【摘要】： 赫伯特·马尔库塞(1898-1979)是美籍德裔哲学家、美学家,1933年与法兰克福学派的其他成员移民到美国,并在那里渡过了自己的余生。 马尔库塞一生写了大量著作,其中较为世人所熟知的有：《论历史唯物主义的基础》(1932),《爱欲与文明》(1955),《苏联的马克思主义》(1958),《单向度的人》(1964),《论解放》(1969),《反革命与造反》(1972),《审美之维》(1978)等。本文分为三个部分。 第一部分：“新感性”(New Sensibility)的孕育。 发达的工业社会受到技术理性的规范和操作,人性被扭曲,感性被压抑。 为消除技术理性的奴役,马尔库塞提出了“新感性”,新感性是一种解放了的、有反抗性的感性。新感性在艺术中产生。 第二部分：“新感性”与政治革命的离合。 马尔库塞在《论解放》中《论新感性》一篇中提出了新感性,这时的政治革命处于高潮,政治革命的发展过程促进了马尔库塞对新感性的思考。马尔库塞对当时的政治革命充满信心,认为“新感性”与政治革命有着密切的关系,新感性的实现需要政治革命的促进。在《反革命与造反》中,他多用“新意识”一词,而新意识包含了新感性,他还在继续进行着新感性的研究。这时的政治革命已经进入低潮,马尔库塞对当时的政治革命仍然充满信心,新感性的实现仍然需要政治革命的促进,不能独立完成。但是这时马尔库塞认为新感性与政治革命的联系没有那么密切了,受到政治革命的束缚少了,“新感性”与政治革命的关联开始松动。在《审美之维》中,新感性这一概念几乎不再提及,但是他还在继续进行着新感性的研究。当时的政治革命已经完全失败,此时的马尔库塞对政治革命完全失望,把注意力完全集中在新感性上,认为新感性的实现不再需要政治革命的促进,需要在艺术中产生,能够独立实现。 第三部分：“新感性”与艺术解放之途。 马尔库塞认为新感性的实现能导向解放。而新感性在真正具有自律性的艺术中产生。马尔库塞在他的不同作品中探索了真正具有自律性的艺术,对艺术自律性的贯彻程度逐步增强。
[Abstract]:Herbert Marcuse (1898-1979) was a German American philosopher and aesthetician who emigrated to the United States with other members of the Frankfurt School in 1933 and spent the rest of his life there. Marcuse wrote a large number of works in his life, among them, "the basis of Historical materialism" (1932), "Eros and Civilization" (1955), "Marxism in the Soviet Union" (1958), "the One-dimensional Man" (1964), "on Liberation" (1969), "counterrevolution and Rebellion" (1972), "Aesthetic Dimension" (1978) and so on. This paper is divided into three parts. The first part: the gestation of (New Sensibility). The developed industrial society is regulated and operated by technological rationality, human nature is distorted and sensibility is suppressed. In order to eliminate the enslavement of technical rationality, Marcuse put forward "new sensibility", which is a kind of liberated, rebellious sensibility. New sensibility comes into being in art. The second part: the separation of the New perception and the political Revolution. Marcuse put forward the new sensibility in "on New Sensibility" in "on Liberation", when the political revolution was at its climax, and the development process of the political revolution promoted Marcuse's thinking on the new sensibility. Marcuse was full of confidence in the political revolution at that time, and believed that the "new sensibility" had a close relationship with the political revolution, and the realization of the new sensibility needed the promotion of the political revolution. In counter-revolution and rebellion, he often uses the word "new consciousness", and the new consciousness contains new sensibility, and he continues to carry on the research of new perception. At that time, the political revolution had entered a low tide, Marcuse was still full of confidence in the political revolution at that time, and the realization of the new perceptual still needed the promotion of the political revolution and could not be completed independently. However, Marcuse thinks that the relationship between the new sensibility and the political revolution is not so close, the shackles of the political revolution are less, and the connection between the "new sensibility" and the political revolution is loosening. In Aesthetic Dimension, the concept of new sensibility is hardly mentioned, but he continues to study it. At that time, the political revolution had completely failed, and Marcuse was completely disappointed with the political revolution. He focused his attention entirely on the new sensibility, and thought that the realization of the new perception no longer needed the promotion of the political revolution, but needed to be produced in art. It can be realized independently. The third part: new sensibility and the way of artistic liberation. Marcuse believes that the realization of new sensibility can lead to liberation. And the new sensibility comes into being in the art of true self-discipline. Marcuse explores the true art of self-discipline in his different works, and the degree of implementation of self-discipline of art is gradually enhanced.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I0
本文编号：2259170
[Abstract]:Herbert Marcuse (1898-1979) was a German American philosopher and aesthetician who emigrated to the United States with other members of the Frankfurt School in 1933 and spent the rest of his life there. Marcuse wrote a large number of works in his life, among them, "the basis of Historical materialism" (1932), "Eros and Civilization" (1955), "Marxism in the Soviet Union" (1958), "the One-dimensional Man" (1964), "on Liberation" (1969), "counterrevolution and Rebellion" (1972), "Aesthetic Dimension" (1978) and so on. This paper is divided into three parts. The first part: the gestation of (New Sensibility). The developed industrial society is regulated and operated by technological rationality, human nature is distorted and sensibility is suppressed. In order to eliminate the enslavement of technical rationality, Marcuse put forward "new sensibility", which is a kind of liberated, rebellious sensibility. New sensibility comes into being in art. The second part: the separation of the New perception and the political Revolution. Marcuse put forward the new sensibility in "on New Sensibility" in "on Liberation", when the political revolution was at its climax, and the development process of the political revolution promoted Marcuse's thinking on the new sensibility. Marcuse was full of confidence in the political revolution at that time, and believed that the "new sensibility" had a close relationship with the political revolution, and the realization of the new sensibility needed the promotion of the political revolution. In counter-revolution and rebellion, he often uses the word "new consciousness", and the new consciousness contains new sensibility, and he continues to carry on the research of new perception. At that time, the political revolution had entered a low tide, Marcuse was still full of confidence in the political revolution at that time, and the realization of the new perceptual still needed the promotion of the political revolution and could not be completed independently. However, Marcuse thinks that the relationship between the new sensibility and the political revolution is not so close, the shackles of the political revolution are less, and the connection between the "new sensibility" and the political revolution is loosening. In Aesthetic Dimension, the concept of new sensibility is hardly mentioned, but he continues to study it. At that time, the political revolution had completely failed, and Marcuse was completely disappointed with the political revolution. He focused his attention entirely on the new sensibility, and thought that the realization of the new perception no longer needed the promotion of the political revolution, but needed to be produced in art. It can be realized independently. The third part: new sensibility and the way of artistic liberation. Marcuse believes that the realization of new sensibility can lead to liberation. And the new sensibility comes into being in the art of true self-discipline. Marcuse explores the true art of self-discipline in his different works, and the degree of implementation of self-discipline of art is gradually enhanced.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I0
【引证文献】
相关硕士学位论文 前2条
1 张旭;马尔库塞“新感性”思想探析[D];吉林大学;2012年
2 王博;马尔库塞的审美救赎思想研究[D];四川师范大学;2012年
，本文编号：2259170
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