一个构建起来的幻象——就“反映论”问题上与夏中义商榷
发布时间:2018-10-24 18:58
【摘要】:正在当代中国学术界,由于多方面的原因,"当代美学"是一个内涵模糊外延混乱的理论概念。这种理论上的模糊和混乱造成对当代文学艺术的理解、对当代文学艺术意义的理论阐释呈现出众说纷纭的局面。因此,在理论上研究和阐释当代美学的基本问题和重大问题,厘清当代美学问题与当代批评形态的关系,就具有了理论上的重要性和迫切性。近年来,美学的转型,或者说美学的当代复兴正在引起学术界的普遍关注。如果不抱理论偏见地看
[Abstract]:Due to various reasons, Contemporary Aesthetics is a theoretical concept with confused connotation and vague extension. The ambiguity and confusion in theory lead to the understanding of contemporary literature and art, and the theoretical interpretation of the meaning of contemporary literature and art presents different views. Therefore, it is of theoretical importance and urgency to study and explain the basic and important problems of contemporary aesthetics in theory, and to clarify the relationship between contemporary aesthetic problems and contemporary forms of criticism. In recent years, the transformation of aesthetics, or the contemporary revival of aesthetics, is attracting widespread attention in academic circles. If you look at it without theoretical bias,
【作者单位】: 浙江大学传媒与国际文化学院;
【基金】:国家社科基金重大项目“当代美学的基本问题及批评形态研究”研究成果;项目编号:15ZDB023
【分类号】:I01
本文编号:2292265
[Abstract]:Due to various reasons, Contemporary Aesthetics is a theoretical concept with confused connotation and vague extension. The ambiguity and confusion in theory lead to the understanding of contemporary literature and art, and the theoretical interpretation of the meaning of contemporary literature and art presents different views. Therefore, it is of theoretical importance and urgency to study and explain the basic and important problems of contemporary aesthetics in theory, and to clarify the relationship between contemporary aesthetic problems and contemporary forms of criticism. In recent years, the transformation of aesthetics, or the contemporary revival of aesthetics, is attracting widespread attention in academic circles. If you look at it without theoretical bias,
【作者单位】: 浙江大学传媒与国际文化学院;
【基金】:国家社科基金重大项目“当代美学的基本问题及批评形态研究”研究成果;项目编号:15ZDB023
【分类号】:I01
【相似文献】
相关期刊论文 前10条
1 今斐;苏联当代美学研究的可喜成果[J];外国文学研究;1988年03期
2 王充闾;;当代美学研究的重要成果——论《〈手稿〉的美学解读》[J];渤海大学学报(哲学社会科学版);2006年02期
3 琼·布洛克;美国当代美学的变化及主要倾向[J];上海师范大学学报(哲学社会科学版);1989年01期
4 邓文华;;当代美学语境下的艺术使命[J];山西师大学报(社会科学版);2013年04期
5 匡骁;;从“何为艺术”到“为何为艺术”——当代西方艺术体制理论的流变及启示[J];学术交流;2011年02期
6 曾繁仁;;试论当代美学、文艺学的人文学科回归问题[J];东方丛刊;2006年01期
7 张弘;;面对“审美化”的当代美学文艺学[J];东方丛刊;2006年01期
8 王岳川;;当代美学核心:艺术本体论[J];文学评论;1989年05期
9 张弘;;面对“审美化”的当代美学文艺学[J];文艺理论研究;2007年05期
10 王峰;薛勇;袁利国;;现代艺术研究[J];时代文学(理论学术版);2007年07期
相关硕士学位论文 前1条
1 吴茵卉;读当代美学 考“意境”之体量[D];天津美术学院;2007年
,本文编号:2292265
本文链接:https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2292265.html