文学述行理论及其方法论意义

发布时间：2018-11-05 07:25

【摘要】：文学述行理论是在奥斯汀创始的言语行为理论的启发和影响下形成。自二十世纪五十年代末奥斯汀提出之后,言语行为理论在语言学、哲学、人类学、文学以及文化研究等诸多范畴得到普遍发展和运用,如今已成为二十世纪七十年代后影响西方文论最重要的批评视角和理论资源之一。在谈及文学述行理论的现状和未来时,乔纳森·卡勒曾说,言语行为理论中的"言语行为"、"述行"等范畴已经使得文学的意义和效果成为西方文学和文化理论中的重大议题。述行语言的文学理论范式被非文学学科关注后,反过来被文学理论家所重视,用来反观文学事件的本质问题,借以应对文学研究中的理论终结危机。这种向内转回到文学本体的方式可以成为后现代背景下学术纵深发展和跨学科知识范式相互融合的一个例证,既契合了当今学界跨学科知识重构的需要,又凸显了文学研究的存在价值。全文分为四章:绪论主要论述文学述行理论的国内外研究现状,以及该论文选题的理论价值和现实意义。第一章"文学话语的述行可能",概述了奥斯汀、塞尔、奥赫曼在文学话语方面的基本观点,重点阐释了其中文学话语述行性是否可行的观点,论述文学话语同日常话语的关系。第二章"文学话语的述行方式",主要论述了费什、德里达、米勒对于文学语言如何述行的观念,展现了文学述行的多种表现形式:即读者行事的文学述行,可重复性的文学述行,写作阅读具有不容置疑的述行性三个侧面。第三章"文学述行的跨界研究",以巴特勒的性别述行、哈贝马斯的交往行为、布尔迪厄的文学场域为例,讨论了"述行性"从哲学、文学领域延伸到更为广阔的政治社会生活领域的理论延伸。第四章"文学述行理论的方法论特点",从跨学科、阅读述行和读者建构、内容研究和外部研究相结合三个角度,简要探讨了文学述行理论研究中的方法论特点。结语简明叙述了文学述行话语的交互性、融合性等特征,以及未来向文化述行发展的趋势,并展望了文学述行理论在互联网新媒介时代可能面临的机遇和挑战。
[Abstract]:The theory of literary narration is formed under the inspiration and influence of Austin's original theory of speech act. Since Austin was put forward in the late 1950s, speech act theory has been widely developed and applied in many fields such as linguistics, philosophy, anthropology, literature and cultural studies. It has become one of the most important critical perspectives and theoretical resources to influence western literary theory since the 1970s. When talking about the present and future of literary theory, Jonathan Keller once said that "speech act" in speech act theory, The meaning and effect of literature has become an important issue in western literature and cultural theory. After the literary theoretical paradigm of practice language has been paid attention to by non-literary subjects, it is paid attention to by literary theorists in turn, which is used to reflect on the essential problems of literary events, so as to deal with the crisis of the end of theory in literary research. This way of turning inward back to literary ontology can become an example of the deep development of academic and the integration of interdisciplinary knowledge paradigm in the post-modern background, which meets the needs of the reconstruction of interdisciplinary knowledge in academic circles today. It also highlights the value of literature research. The full text is divided into four chapters: the introduction mainly discusses the domestic and foreign research status of literary theory, as well as the theoretical value and practical significance of this thesis. The first chapter, "the possibility of the narrative of literary discourse", summarizes Austin, Searle and Ohrman's basic views on literary discourse, with the emphasis on explaining whether it is feasible or not. This paper discusses the relationship between literary discourse and daily discourse. The second chapter, "the way of describing and doing Literary discourse", mainly discusses the concept of how Fesh, Derrida and Hans Muller about how to describe and act in literary language, and shows many forms of expression of literary narration and action: that is, literary narration and behavior of readers. There are three sides to the repeatability of literary narration and the reading of writing. Chapter three, "Transboundary Studies of Literary Discourses", takes Butler's gender narration, Habermas' communicative behavior and Bourdieu's literary field as an example to discuss the "exposition" from philosophy. The extension of literature to the broader field of political and social life. Chapter four, "Methodology characteristics of Literary narrative Theory", briefly discusses the methodological characteristics of literary narrative theory research from three angles of interdisciplinary, reading and reader construction, content research and external study. The conclusion gives a brief account of the interactivity and integration of literary discourse, as well as the development trend of literary discourse towards culture in the future, and looks forward to the opportunities and challenges that literary narrative theory may face in the era of new media on the Internet.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I0

【相似文献】