访谈录批评文体研究

发布时间：2018-12-22 09:27

【摘要】：“访谈录”最初是作为一种新闻文体进入人们的视野。但近几十年以来,尤其是进入新世纪,在文学批评领域被广泛使用。其体量之大、范围之广、牵涉之深,已具备了作为一种独立文学批评文体应有的文体气质。本文即在这样的身份认定下对访谈录进行研究。绪论部分略述访谈录是如何以批评文体的身份进入研究视野,在对话体批评领域研究到了何种程度,在新闻界和文艺批评界分别有着何种界定;同时简要说明这是具有对话式批评内核的批评文体,在新闻性的熏染下发生的文体渐变的成果。论文主体分为三部分:第一章围绕访谈录批评文体的发展概况而来。以20世纪80、90年代的文本兴盛,和新世纪以来的多形式繁荣为重点,着力描摹访谈录近几十年作为文学批评文体的鼎盛之势。并且指出,这一切都与历史溯源中的文论传统、时代浪潮的推动以及文学批评的内在诉求密不可分。第二章是对访谈录批评文体的本体论的分析。从文体类型、文体特征、文体功能三方面予以论述。以分类方式的不同,列举出文本与超文本、单纯问答与探讨研究、信息采访与理论研讨三种划分结果。紧扣文体本质,归纳出“时效性与实效性结合”,“批评与接受的共体同时性”,“求同存异、互补和解的结论走向”以及“'系统—零散'与'严谨—趣味'相兼容的语言风格”共四种特征。并在此基础上分别从读者、批评家、批评本身三个维度总结出多方兼顾的文体功能。第三章则将视野抬高至访谈录批评文体的价值论高度。在社会价值方面,肯定其对文学公共领域中“公共性”的强化作用。在文体价值方面,认为其一方面是新闻文体与文学批评文体的“一体两用”,另一方面也是学院批评与媒体批评“握手言和”。在学术价值方面,主要关注的是它在口述史层面的独特价值体现。结语部分重申了访谈录作为独立文学批评文体的地位,同时表达了对此种“独立”会否遭遇消解的担忧,并对其未来发展寄予了理性的展望。
[Abstract]:The interview was originally introduced into people's vision as a kind of news style. But in recent decades, especially in the new century, has been widely used in the field of literary criticism. It has the stylistic temperament as an independent literary criticism style because of its large volume, wide scope and deep involvement. In this paper, the identity of the interview under the study. The introduction part briefly describes how the interview has entered the research field as a critical style, what degree has been studied in the field of dialogical criticism, and what kind of definition has been made in the media and literary criticism respectively; At the same time, it is briefly explained that it is the result of gradual change of style under the influence of news. The main body of the thesis is divided into three parts: the first chapter focuses on the development of interview criticism. Focusing on the prosperity of the texts of the 1980s and 1990s and the prosperity of various forms since the new century, the author tries to describe the tendency of interviews as the peak of literary criticism in recent decades. It also points out that all these are closely related to the tradition of literary theory, the impetus of the times and the inner appeal of literary criticism. The second chapter is the ontological analysis of the interview critical style. It is discussed from three aspects: stylistic type, stylistic characteristics and stylistic function. According to the different classification methods, this paper lists the results of text and hypertext, simple question and answer and discussion, information interview and theoretical study. According to the essence of literary style, the author concludes that "the combination of timeliness and effectiveness", "the simultaneous nature of criticism and acceptance", "seeking common ground while reserving differences", The conclusion of complementation and reconciliation "and" system-scattered "and" rigorous-interesting "compatible language style." On this basis, the author summarizes the stylistic functions of readers, critics and critics themselves. The third chapter elevates the field of vision to the value theory of interview critical style. In the aspect of social value, it affirms its strengthening effect on "publicity" in literature public domain. In terms of stylistic value, on the one hand, it is considered to be a "dual purpose" of news style and literary criticism, on the other hand, college criticism and media criticism "shake hands". In terms of academic value, the main concern is its unique value in oral history. The conclusion part restates the status of the interview as an independent literary criticism style, and expresses the concern about whether this kind of "independence" will be dispelled, and puts forward a rational outlook for its future development.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I06

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