论模仿与借鉴—当代艺术创作中的思考

发布时间：2018-12-30 10:36

【摘要】：自艺术产生以来,模仿与借鉴一直和艺术的发展相关联,模仿与借鉴一直被认为是艺术创作中不可缺少的重要组成部分。无论是传统的学院派教学还是新艺术流派的产生,或是从艺术的形式、观念、现象和本质等方面出发,我们都能看到模仿与借鉴的影子,模仿与借鉴也随着艺术发展而实现这自我新发展。课题探讨在艺术形态多元化的今天,模仿与借鉴也产生了许多新的问题,使得深入分析模仿与借鉴成为一种需要性,这种需要不仅限于了解模仿与借鉴的字面涵义,更要明白随着时代的进步,模仿与借鉴必然会发生改变,这些改变的本质与如今艺术的发展有着千丝万缕的联系。艺术形态的变化需要我们从新对艺术的本质和现象作出解释。在这种情况下,使得模仿与借鉴也同样要必须面对和解决新的问题。本文通过在面对大量图片信息存在的当下,艺术主体该怎样面对艺术创作中的模仿与借鉴进行分析。并通过对模仿和借鉴由浅入深的探讨更清晰的认识和了解模仿与借鉴的在当代艺术中的新含义及艺术创作中创造力的重要性。本文一共分为六个部分。第一部分对模仿与借鉴进行了概述,包括了模仿与借鉴的概念及相关联系。第二部分描述了在艺术创作中,对模仿与借鉴的“误读”,并通过例子分析产生这种误读的原因及影响并提出了模仿与借鉴在艺术创作中“判断点”和创造力的把握。第三部分提出了模仿与借鉴是艺术创作的方法论,紧接着引出第四部分,提出这种方法论在后现代主义艺术理论中的转嫁及赋予新的含义并提出了第五部分和第六部分:模仿与借鉴在当代艺术中创造力的升华问题以及当代艺术下的思考。
[Abstract]:Since the emergence of art, imitation and reference have been associated with the development of art. Imitation and reference have been regarded as an indispensable part of art creation. Whether it is the emergence of traditional schools of learning or new art schools, or from the aspects of art form, concept, phenomenon and essence, we can all see the shadow of imitation and reference. Imitation and reference also with the development of art to achieve this new self-development. Subject discussion in the art form diversification today, imitation and reference have also produced many new problems, make in-depth analysis of imitation and reference become a need, this need is not limited to understanding the literal meaning of imitation and reference. With the progress of the times, imitation and reference are bound to change, and the essence of these changes is inextricably linked to the development of art today. The change of art form needs us to explain the essence and phenomenon of art. In this case, the imitation and reference must also face and solve new problems. In the face of a large number of picture information, this article analyzes how the art subject should face the imitation and reference in the art creation. And through the imitation and use for reference from simple to deep discussion more clear understanding and understanding of imitation and reference in the new meaning of contemporary art and the importance of creativity in artistic creation. This paper is divided into six parts. The first part summarizes the imitation and reference, including the concept of imitation and reference and related relations. The second part describes the "misreading" of imitation and reference in artistic creation, and analyzes the causes and effects of this misreading through examples, and puts forward the "judgment point" and the grasp of creativity in the art creation of imitation and reference. The third part puts forward that imitation and reference is the methodology of artistic creation, and then leads to the fourth part. This paper puts forward the transfer and new meaning of this methodology in the postmodernism art theory and puts forward the fifth and sixth parts: the sublimation of creativity in the contemporary art and the thinking under the contemporary art.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J04

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