装置艺术与物理学的交叉实践研究
发布时间：2019-01-06 14:21
【摘要】：信息化时代让世界变的很小,在家不出门就可知天下事。我们的生活越来越离不开计算机和网络,以至于我们生活方式、思维方式发生了翻天覆地的变化。艺术家作为社会是前沿奔跑者,当然不会对此无动于衷。为此,一种新的艺术形式走进了人们的生活,这就是装置艺术。装置艺术的出现可以说是对传统艺术的一场革命,从杜尚把男士小便池放到美术馆里之后,这种艺术形式慢慢的占据了主导地位。尤其是在当下科学技术如此迅猛发展的时代,艺术家们从中看到了新的发展趋势,许多艺术家也把学科之间交叉研究与实践写入自己的创作蓝图。法国现象学美学家杜夫海纳(Mikel Duf-renne)曾指出,艺术学科研究的最显著的趋势之一“是以不同的形式进行相关综合研究或边界交叉研究。”1当代自然科学成为艺术家们主要研究对象,因而“艺术”与“科学”的交叉研究实践成为当下最热门的话题之一。艺术家与其它学科的专家、学者合作,许多学科交叉研究实践作品出现在人们的眼前。他们把装置艺术与物理学相结合,创作出了新的艺术表现形式,这种艺术形式不同于传统的艺术形式,传统的艺术形式观者只能被动地接受,而装置艺术与物理学的交叉实践而产生的互动装置艺术更注重观者的自己与艺术作品的沟通、体验与互动,这比传统的艺术形式更加具有人性化。装置艺术与物理学的交叉实践作品《突出、流动》、《雷电场》、发光二级管服装、特斯拉线圈等就是其中的代表作品。它们完美展示了交叉研究作品的优势和美感,体现出作品离不开科技的支持,而物理学这门神秘且古老的学科也通过艺术作品完美的展示了它新的活力,所谓艺术离不开科学,科学也离不开艺术。如乔治·萨顿(George Sutton)所说:“理解科学需要艺术,而理解艺术也需要科学”。
[Abstract]:The information age lets the world become very small, at home do not go out to know the world affairs. Our life is more and more inseparable from the computer and the network, so that our way of life, way of thinking has undergone earth-shaking changes. The artist as the society is the front runner, certainly will not be indifferent to this. Therefore, a new form of art into people's lives, this is installation art. The emergence of installation art can be said to be a revolution in traditional art, since Duchamp put the men's urinal into the museum, this art form gradually took the dominant position. Especially in the era of rapid development of science and technology, artists have seen a new development trend, and many artists have written the interdisciplinary research and practice into their blueprints. As the French phenomenological aesthetician Mikel Duf-renne once pointed out, One of the most prominent trends in the study of art disciplines is to carry out related comprehensive studies or border crossing studies in different forms. (1) Contemporary natural sciences have become the main research objects of artists. Therefore, the cross-research practice of "art" and "science" has become one of the hottest topics. Artists cooperate with experts and scholars in other disciplines, and many interdisciplinary and practical works appear in front of people's eyes. They combined installation art with physics and created a new form of artistic expression, which is different from the traditional art form, and the viewer can only passively accept the traditional art form. And the interactive device art produced by the cross practice of installation art and physics pays more attention to the communication, experience and interaction between the viewer and the art works, which is more humanized than the traditional art form. The intersecting practical works of installation art and physics, such as "prominent, flowing", "Lightning Field", "Luminescent Secondary Tube Garment", and Tesla's Coil, are the representative works. They perfectly demonstrate the advantages and aesthetic feelings of cross-research works, and reflect that the works cannot be separated from the support of science and technology, while physics, a mysterious and ancient discipline, perfectly demonstrates its new vitality through works of art, so called art cannot do without science. Science is also inseparable from art. As George Sutton (George Sutton) put it, "understanding science requires art, and understanding art requires science."
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J5
本文编号：2402908
[Abstract]:The information age lets the world become very small, at home do not go out to know the world affairs. Our life is more and more inseparable from the computer and the network, so that our way of life, way of thinking has undergone earth-shaking changes. The artist as the society is the front runner, certainly will not be indifferent to this. Therefore, a new form of art into people's lives, this is installation art. The emergence of installation art can be said to be a revolution in traditional art, since Duchamp put the men's urinal into the museum, this art form gradually took the dominant position. Especially in the era of rapid development of science and technology, artists have seen a new development trend, and many artists have written the interdisciplinary research and practice into their blueprints. As the French phenomenological aesthetician Mikel Duf-renne once pointed out, One of the most prominent trends in the study of art disciplines is to carry out related comprehensive studies or border crossing studies in different forms. (1) Contemporary natural sciences have become the main research objects of artists. Therefore, the cross-research practice of "art" and "science" has become one of the hottest topics. Artists cooperate with experts and scholars in other disciplines, and many interdisciplinary and practical works appear in front of people's eyes. They combined installation art with physics and created a new form of artistic expression, which is different from the traditional art form, and the viewer can only passively accept the traditional art form. And the interactive device art produced by the cross practice of installation art and physics pays more attention to the communication, experience and interaction between the viewer and the art works, which is more humanized than the traditional art form. The intersecting practical works of installation art and physics, such as "prominent, flowing", "Lightning Field", "Luminescent Secondary Tube Garment", and Tesla's Coil, are the representative works. They perfectly demonstrate the advantages and aesthetic feelings of cross-research works, and reflect that the works cannot be separated from the support of science and technology, while physics, a mysterious and ancient discipline, perfectly demonstrates its new vitality through works of art, so called art cannot do without science. Science is also inseparable from art. As George Sutton (George Sutton) put it, "understanding science requires art, and understanding art requires science."
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J5
【参考文献】
相关硕士学位论文 前4条
1 陈涵虚;体验与互动—多媒体互动装置艺术介入公共空间之研究[D];上海大学;2015年
2 王锐;装置艺术的实验性研究[D];大连理工大学;2013年
3 边恩池;装置艺术的特征和材料的多样性[D];中央美术学院;2012年
4 邓博;新媒体互动装置艺术的研究[D];江南大学;2008年
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