传统器具的生活审美显化研究
发布时间：2019-01-07 06:45
【摘要】：后工业时代下,人们对于科技的依赖与“迷信化”不断增强,对于其导致的不可逆分工和碎片式的机械生活模式,使得人丧失了成为“人”的权利,最终成为某项技术的奴隶。在利益的催动下,人们对于信仰和人文关怀的缺失,使得工作也变成为重复、枯燥,进而成获取谋生的手段,面对其带来的后果和副作用,大家却视而不见,麻木不仁。面对种种现象和情形,回归传统审美生活,用器物的审美趣味唤醒对于现代生活的重新思考,找回内心的安定与信仰。优秀的传统器物文化在时代的变迁和推移中一直扮演着重要的角色,它以器载道,用心与手间的对话,诠释着人类的精神思想和人文形态,在中国几千年的灿烂文化里,器物作为中华传统文化的重要的组成部分之一,是中国文明的结晶和瑰宝。器物的发展变迁实际也是一个时代更替的展现,也是其政治、经济、历史、文化的名片,是社会生活的重要呈现。随着人们物质水平及生活要求的提升,器具中所扮演的审美显化也越来越受到人们的重视和关注,人们不仅仅满足于器物所给予的愉悦,更多开始注重内在心灵文化根基的培植,而器物却是生活中不可或缺的东西,在所使用的同时,能给予人更多心灵的启悟,或许才不会让人急于未来的恐慌,社会的种种问题与不和谐也会迎刃而解。近代以来,人们过多的接触西方的新奇事物与器物,而对于自身传统的忽视也随之显现出来,人们对于传统的抛弃与不解,让自身越走越远。而随着时间的推移,人们受了西方式的影响后,发觉问题与弊病层出不穷,开始反思间,才觉察还需回到传统中去。传统器具所承载的制度、精神思想、智慧观念是无法被超越的,几千年的积淀中,唯有中国器具依旧在世界舞台上独立,通过对传统器具中的审美生活分析,揭示出其古老智慧在这块土地上的神奇审美显化作用。这也是本文所要研究的重点与核心。绪论中着重强调了所研究对象现实意义及方法,并结合当下的生活状况反映出所要研究的审美特性。第二章着重阐释其定义、器具和生活审美显化间的关系,以及不同时期中器具的历史脉络。第三章则论述器具中生活审美显化的特征。第四章具体的举例说明器具的生活审美显化。第五章是对其思考与认识。本文通过此五章的论述,希望可以为生活审美的显化提供一些启发式思考与认识。
[Abstract]:In the post-industrial era, people's dependence on science and technology and "superstition" are increasing, and the irreversible division of labor and the fragmented mechanical life mode caused by it make people lose the right to become "human" and eventually become slaves to a certain technology. Under the impulsion of interest, people's lack of faith and humanistic concern makes work become repetitive, boring, and then become a means of earning a living. In the face of its consequences and side effects, people turn a blind eye to it and become insensitive. In the face of all kinds of phenomena and situations, we should return to the traditional aesthetic life, awaken the rethinking of modern life with the aesthetic taste of objects, and find the inner stability and faith. The excellent traditional artifacts culture has always played an important role in the changes and the passage of the times. It carries the Tao by the instrument, the dialogue between the heart and the hand, interprets the human spirit thought and the humanity form, in China's splendid culture for thousands of years. As an important part of Chinese traditional culture, artifacts are the crystallization and treasure of Chinese civilization. The development and vicissitude of utensils is also a manifestation of the change of the times, as well as a business card of its politics, economy, history and culture, and an important presentation of social life. With the improvement of people's material level and living requirements, the aesthetic manifestation played in the utensils has been paid more and more attention to, and people are not only satisfied with the pleasure given by the objects. More people begin to pay attention to the cultivation of the inner spiritual and cultural foundation, and the objects are indispensable in life. When they are used, they can give people more spiritual enlightenment, so that they may not make people anxious for fear in the future. Social problems and disharmony will also be solved. Since modern times, people have been exposed to western novelty and utensils too much, and the neglect of their own tradition also appears, people abandon and do not understand the tradition, let themselves go further and further. With the passage of time, people have been affected by the western way, and found that problems and defects emerge one after another, and began to reflect on the need to return to the tradition. The institutions, spiritual thoughts, and wisdom concepts carried by traditional appliances cannot be transcended. In the accumulation of thousands of years, only Chinese appliances are still independent on the world stage, and through the analysis of aesthetic life in traditional appliances, Reveals its ancient wisdom in this land the magic aesthetic manifestation. This is also the focus and core of this paper. The preface emphasizes the realistic significance and method of the object, and reflects the aesthetic characteristics of the study combined with the current living conditions. The second chapter focuses on its definition, the relationship between utensils and aesthetic manifestation of life, and the historical context of utensils in different periods. The third chapter discusses the characteristics of aesthetic manifestation of life in utensils. The fourth chapter illustrates the life aesthetic manifestation of the appliance with concrete examples. The fifth chapter is about its thinking and understanding. Through the discussion of these five chapters, this paper hopes to provide some heuristic thinking and understanding for the manifestation of life aesthetics.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J01
本文编号：2403302
[Abstract]:In the post-industrial era, people's dependence on science and technology and "superstition" are increasing, and the irreversible division of labor and the fragmented mechanical life mode caused by it make people lose the right to become "human" and eventually become slaves to a certain technology. Under the impulsion of interest, people's lack of faith and humanistic concern makes work become repetitive, boring, and then become a means of earning a living. In the face of its consequences and side effects, people turn a blind eye to it and become insensitive. In the face of all kinds of phenomena and situations, we should return to the traditional aesthetic life, awaken the rethinking of modern life with the aesthetic taste of objects, and find the inner stability and faith. The excellent traditional artifacts culture has always played an important role in the changes and the passage of the times. It carries the Tao by the instrument, the dialogue between the heart and the hand, interprets the human spirit thought and the humanity form, in China's splendid culture for thousands of years. As an important part of Chinese traditional culture, artifacts are the crystallization and treasure of Chinese civilization. The development and vicissitude of utensils is also a manifestation of the change of the times, as well as a business card of its politics, economy, history and culture, and an important presentation of social life. With the improvement of people's material level and living requirements, the aesthetic manifestation played in the utensils has been paid more and more attention to, and people are not only satisfied with the pleasure given by the objects. More people begin to pay attention to the cultivation of the inner spiritual and cultural foundation, and the objects are indispensable in life. When they are used, they can give people more spiritual enlightenment, so that they may not make people anxious for fear in the future. Social problems and disharmony will also be solved. Since modern times, people have been exposed to western novelty and utensils too much, and the neglect of their own tradition also appears, people abandon and do not understand the tradition, let themselves go further and further. With the passage of time, people have been affected by the western way, and found that problems and defects emerge one after another, and began to reflect on the need to return to the tradition. The institutions, spiritual thoughts, and wisdom concepts carried by traditional appliances cannot be transcended. In the accumulation of thousands of years, only Chinese appliances are still independent on the world stage, and through the analysis of aesthetic life in traditional appliances, Reveals its ancient wisdom in this land the magic aesthetic manifestation. This is also the focus and core of this paper. The preface emphasizes the realistic significance and method of the object, and reflects the aesthetic characteristics of the study combined with the current living conditions. The second chapter focuses on its definition, the relationship between utensils and aesthetic manifestation of life, and the historical context of utensils in different periods. The third chapter discusses the characteristics of aesthetic manifestation of life in utensils. The fourth chapter illustrates the life aesthetic manifestation of the appliance with concrete examples. The fifth chapter is about its thinking and understanding. Through the discussion of these five chapters, this paper hopes to provide some heuristic thinking and understanding for the manifestation of life aesthetics.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J01
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