羌族口头艺术的巫术表演方式与特点
发布时间：2019-03-17 08:18
【摘要】：所谓口头艺术的"表演方式"是指特定语言生态环境及相应实物修饰和场所活动中,由具有一定社会、文化、历史与美学意义与功能的言语传播、音乐节奏和体态动作综合运用和表达组成的一套沟通体系。从修饰物、表演场所、参照物与音乐节奏、体态动作等几个方面分析羌族口头艺术的巫术表演,可以让我们对其特点的认知和归纳更为客观具体。
[Abstract]:The so-called "performance style" of oral art refers to the specific language ecological environment and the corresponding physical decoration and place activities, which are transmitted by speech with certain social, cultural, historical and aesthetic significance and function. Music rhythm and body movements integrated use and expression of a set of communication system. The witchcraft performance of oral art of Qiang nationality is analyzed from several aspects, such as decoration, performing place, reference object and music rhythm, body movement and so on, which can make us more objective and concrete in cognition and induction of its characteristics.
【作者单位】： 中国非物质文化遗产研究院羌文化保护与发展研究中心;
【基金】：四川省哲学社会科学重点研究基地民间文化研究中心项目“羌族口头艺术的非遗传承模式与前景”(MJ15-24)
【分类号】：J0
本文编号：2442102
[Abstract]:The so-called "performance style" of oral art refers to the specific language ecological environment and the corresponding physical decoration and place activities, which are transmitted by speech with certain social, cultural, historical and aesthetic significance and function. Music rhythm and body movements integrated use and expression of a set of communication system. The witchcraft performance of oral art of Qiang nationality is analyzed from several aspects, such as decoration, performing place, reference object and music rhythm, body movement and so on, which can make us more objective and concrete in cognition and induction of its characteristics.
【作者单位】： 中国非物质文化遗产研究院羌文化保护与发展研究中心;
【基金】：四川省哲学社会科学重点研究基地民间文化研究中心项目“羌族口头艺术的非遗传承模式与前景”(MJ15-24)
【分类号】：J0
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