分裂的想象——关于古希腊艺术史认知的一个现象学视角

发布时间：2019-04-11 19:05

【摘要】：本文主要探讨的问题是古希腊艺术史的建构问题。通过结合由胡塞尔所建立起来的现象学的基本视角,本文首先分析了古希腊艺术史的组织逻辑,提出作为一种知识系统的艺术史与关于艺术品的历史之间所存在的重要分裂;接着,本文探讨了温克尔曼所建立起的古希腊艺术史的初级结构,并分析了其对于古希腊艺术作品在历史、文化与艺术三个维度上的想象与弥合问题;在此基础上,通过结合具体作品,本文着重讨论了在传统希腊艺术史中被忽视的希腊艺术的色彩问题;最后,本文提出了在古希腊艺术史的建构模式中所存在着的三重想象运作机制,并将其视为一种更具普遍特征的艺术史构成模式。
[Abstract]:This paper mainly discusses the construction of ancient Greek art history. By combining the basic perspective of phenomenology established by Husserl, this paper first analyzes the organizational logic of the history of ancient Greek art, and puts forward the important division between the history of art and the history of art as a knowledge system; Then, this paper discusses the primary structure of the history of ancient Greek art established by Winkelman, and analyzes its imagination and bridging problem in the three dimensions of history, culture and art of ancient Greek art works. On this basis, through the combination of specific works, this paper focuses on the discussion of the color of Greek art, which is neglected in the history of traditional Greek art; Finally, this paper puts forward the triple imagination operation mechanism in the construction mode of ancient Greek art history, and regards it as a kind of art history composition mode with more universal characteristics.
【作者单位】：中央美术学院;
【分类号】：J110.9

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