苏童与麦卡勒斯小说的南方情结及呈现方式比较研究

发布时间：2019-05-22 12:44

【摘要】：中国作家苏童和美国南方作家麦卡勒斯都是本国具有较大文学影响的著名作家,其创作均表现出一种特异的“南方情结”。中美南方文化虽然很不相同,但却在地域上具有鲜明的文化性征,两位作家从他们谙熟的南方生活出发,创作了一批引人注目的南方特色作品,本文采用平行研究方法,从地域文化对文学创作之影响切入,围绕苏童《罂粟之家》、《妻妾成群》、《红粉》、《米》与麦卡勒斯《心是孤独的猎手》、《伤心咖啡馆之歌》、《没有指针的钟》等典型文本进行比较研究,探究苏童和麦卡勒斯小说的南方情结及其呈现方式,和其在文化环境中所折射出的文化现象与文化问题,在两个文化系统的比较中,诠释两位作家对人类生存状态和精神层面的深切关注和对复杂人性孜孜不倦地拷问。全文除引言、结语外,分为四章:引言介绍苏童和卡森·麦卡勒斯在本国文学史中的地位及代表作品,综述两位作家当下研究状况,阐明本文研究意义。第一章主要阐释两位作家“南方世界”的建构及其表征,分别叙述苏童小说中阴柔绮靡的“枫杨树村”和“香椿树街”以及麦卡勒斯小说中衰败隔绝的南方小镇的特征。第二章结合文本对两位作家南方世界中的人物典型进行比较研究。主要从两个方面展开,其一、苏童和麦卡勒斯小说中的南方具有悲剧色彩的女性;其二、两位作家不约而同将目光投向塑造孤独的灵魂。第三章探究作家为表达其南方情结而选择的呈现方式的异同。分析其小说形式的怪诞和“哥特式”风格,还包括人物情感的荒谬呈现。第四章从童年经历、地域文化两方面来探寻苏童与麦卡勒斯南方情结及其呈现方式异同的动因,并由此比较两位作家对南方故土的复杂文化情感。结语:进一步总结南方文化背景与作家南方情结形成之关系和作家在作品中折射出的文化情感,以及作家对人类精神状态的艺术化观照。苏童与麦卡勒斯从各自的文化传统中汲取营养,融合时代观念与自身的生命体验,将所提炼出的南方情结融入到自身的文本之中,透视出他们对南方故土和文化的深层思考。本文从地域文化对作家创作个性形成的影响出发,细致剖析两位作家南方情结的构成要素,以及他们对南方故土的特殊情感,从而以一个新的视野解读了两位不同国度但却有相似性的作家的艺术世界,看到了不同文化背景下人们共同存在的精神困境和人性背后的复杂。
[Abstract]:Both Chinese writer Su Tong and American southern writer McCarliss are famous writers with great literary influence in their own country, and their works show a kind of special "southern complex". Although the southern culture of China and the United States is very different, it has distinct cultural characteristics in the region. Starting from their familiar southern life, the two writers have created a number of works with remarkable southern characteristics. This paper adopts the method of parallel research. From the influence of regional culture on literary creation, it revolves around Su Tong's poppy House, wife and concubine group, Red Pink, Rice and McCarliss, Heart is a lonely hunter, Song of sad Cafe, "Song of sad Cafe", "Song of sad Cafe". This paper makes a comparative study of the typical texts such as Zhong without pointer, and probes into the southern complex and its presentation mode of Su Tong and McCartes' novels, as well as the cultural phenomena and cultural problems reflected in the cultural environment. In the comparison of the two cultural systems, this paper interprets the two writers' deep concern about the living state and spiritual level of human beings and the tirelessly torturing the complex human nature. In addition to the introduction and conclusion, the full text is divided into four chapters: the introduction introduces the position and representative works of Su Tong and Carson McCartes in the history of domestic literature, summarizes the current research status of the two writers, and clarifies the significance of this study. The first chapter mainly explains the construction and representation of the two writers "the Southern World", and describes the characteristics of the feminine and beautiful "Fengyang Tree Village" and "Toon Tree Street" in Su Tong's novels and the declining and isolated southern towns in McCarles' novels, respectively. the first chapter mainly explains the construction and representation of the two writers'"Southern World", and describes the characteristics of the declining and isolated southern towns in Su Tong's novels. The second chapter makes a comparative study of the typical characters in the southern world of the two writers. It is mainly carried out from two aspects, one is the tragic woman in the south of Su Tong and McCarliss' novels, and the other is that the two writers turn their eyes to shaping the lonely soul. The third chapter explores the similarities and differences of the presentation methods chosen by writers to express their southern complex. This paper analyzes the grotesque and Gothic style of his novel, and also includes the absurd presentation of the character's emotion. The fourth chapter explores the motivation of the similarities and differences between Su Tong and McCarliss' southern complex and their presentation from two aspects of childhood experience and regional culture, and compares the complex cultural feelings of the two writers to the southern homeland. Conclusion: this paper further summarizes the relationship between the southern cultural background and the formation of the writer's southern complex and the cultural feelings reflected by the writer in his works, as well as the writer's artistic view of the human spiritual state. Su Tong and McCartes draw nutrition from their respective cultural traditions, integrate the concept of the times and their own life experience, integrate the extracted southern complex into their own texts, and see through their deep thinking on the native land and culture of the south. Starting from the influence of regional culture on the formation of writers' creative personality, this paper analyzes in detail the constituent elements of the southern complex of the two writers and their special feelings for the native land of the south. Thus, this paper interprets the artistic world of two different countries but similar writers from a new perspective, and sees the common spiritual dilemma and the complexity behind human nature in different cultural backgrounds.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I106.4;I0-03

【参考文献】