论王尔德喜剧与英国喜剧传统的关系

发布时间：2018-01-07 22:01

本文关键词：论王尔德喜剧与英国喜剧传统的关系　出处：《南京大学》2012年硕士论文　论文类型：学位论文

【摘要】：奥斯卡·王尔德是英国19世纪末著名的喜剧作家,也是英国唯美主义文艺运动的擎旗人。其杰出的喜剧创作为英国19世纪沉寂的舞台注入了新的活力。本文主要从现实主义、道德问题、人物以及演剧四方面着手,探究王尔德喜剧与英国喜剧传统的关系,进而阐释王尔德喜剧对英国喜剧传统的继承与创新。全文共分六个部分展开论述：导论部分简单介绍了王尔德的喜剧创作及国内外研究状况,指出本文的选题意义所在,即研究王尔德喜剧与英国喜剧传统的关系可以使我们在关注王尔德创作的反叛性的同时,重视王尔德对英国喜剧传统的继承,这是王尔德喜剧研究领域的有益尝试。第一章对英国喜剧发展中的现实主义传统在各个时期的表现、演变进行梳理,在对莎士比亚和谢立丹喜剧的现实主义风格进行归纳的基础上,沿着喜剧发展的脉络进而分析王尔德喜剧独特的现实主义风格。认为王尔德喜剧的风格是唯美主义与现实主义的混合,继承了英国喜剧发展中的现实主义传统并有所创新。第二章论述了从中世纪到莎士比亚再到王尔德喜剧中的道德模式的发展变化,同时对王尔德的唯美主义艺术主张及其在喜剧中的道德实践的联系进行探究,认为王尔德虽然主张艺术不涉及道德,但在具体的喜剧创作中,他时常进行着道德思考。唯美的文艺观与对现实道德的关注,共同促成了王尔德喜剧中独特的道德理想及诉求,这也是王尔德继承英国喜剧传统中道德观念的结果。第三章主要阐释王尔德喜剧中花花公子人物形象与英国喜剧人物传统的联系,认为王尔德的花花公子形象与莎士比亚喜剧中的小丑角色在精神特质上一脉相承,也与谢立丹喜剧人物的机智幽默的轻佻风格同出一辙。最后归结出王尔德式花花公子与英国喜剧人物传统的对话与成长,即莎士比亚企图通过其喜剧人物倾听自我、改变自我,寄寓了对人自身的探索与思考,而王尔德则通过其喜剧人物在倾听自我、改变自我的基础上进一步谋求人的自身的发展。第四章主要从服饰和道具运用两方面对王尔德喜剧进行了探讨。服饰方面,王尔德与莎士比亚一样都重视服饰在喜剧中的作用,同时王尔德对英国喜剧的服饰传统也有所继承；道具及舞台布置方面,王尔德喜剧中道具的运用受到英国喜剧传统中道具运用的影响,并反映了当时的社会风尚。二者共同体现了王尔德喜剧在演剧艺术上对于英国喜剧传统的继承与创新。结语部分总结全文,指出王尔德对英国喜剧传统的继承与反叛。作为英国剧坛独树一帜的喜剧作家,其喜剧对英国喜剧产生了深远的影响,具有经久不衰的艺术魅力。
[Abstract]:Oscar Wilde was a famous British comedian at the end of 19th century. His outstanding comedy creation infused new vitality into the silent stage in 19th century. This article mainly from realism, moral issues. This paper probes into the relationship between Wang Erde comedy and the tradition of British comedy, and then explains the inheritance and innovation of Wang Erde comedy from the tradition of British comedy. The thesis is divided into six parts: The introduction part briefly introduces Wang Erde's comedy creation and domestic and foreign research situation, and points out the significance of this topic. That is to say, the study of the relationship between Wang Erde comedy and the tradition of British comedy can make us pay attention to the inheritance of the tradition of British comedy while we pay attention to the rebellious nature of Wang Erde's creation. This is Wang Erde's useful attempt in the field of comedy research. The first chapter summarizes the realistic tradition in the development of British comedy in various periods, and summarizes the realistic style of Shakespeare and Sheridan comedy. According to the development of comedy, this paper analyzes Wang Erde's unique realistic style of comedy and holds that the style of Wang Erde comedy is a mixture of aestheticism and realism. It inherits and innovates the tradition of realism in the development of English comedy. The second chapter discusses the development and change of moral model from the Middle Ages to Shakespeare to Wang Erde's comedy. At the same time, it probes into the aestheticism and the relationship between the aesthetic art and the moral practice in comedy. Although Wang Erde advocates that art does not involve morality, he often carries on moral thinking in his concrete comedy creation, his aesthetic view of literature and art and his attention to realistic morality. Together, Wang Erde's unique moral ideals and aspirations in comedy have been promoted, which is also the result of Wang Erde's inheriting the moral concept in the tradition of British comedy. The third chapter mainly explains the relationship between the characters of Playboy and the tradition of British comedians in Wang Erde comedy. It is believed that Wang Erde's playboy image is closely related to the clown character in Shakespeare's comedy. It is also similar to the witty and humorous frivolity of the Sheridan comedians. Finally, it comes down to the dialogue and growth between Wang Erde playboy and the English comedian. That is, Shakespeare attempts to listen to himself through his comic characters, change himself, and connote the exploration and thinking of man himself, while Wang Erde listens to himself through his comedian characters. Change oneself on the basis of further seeking for human's own development. Chapter 4th mainly discusses Wang Erde's comedy from the aspects of costume and props. In dress, Wang Erde and Shakespeare all attach importance to the role of dress in comedy. At the same time Wang Erde also inherited the tradition of British comedy; In terms of props and stage layout, the use of props in Wang Erde comedy is influenced by the use of props in British comedy tradition. Both of them reflect the tradition of English comedy and inherit and innovate the tradition of English comedy in the performance art of Wang Erde. The conclusion part summarizes the full text, points out Wang Erde's inheritance and rebellion to the tradition of British comedy. As a unique comedian writer in British drama, his comedy has a profound influence on British comedy. Has the enduring artistic charm.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.073

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