从《高加索灰阑记》看布莱希特晚期伦理意识

发布时间：2018-01-08 02:04

本文关键词：从《高加索灰阑记》看布莱希特晚期伦理意识　出处：《外国文学研究》2013年03期 　论文类型：期刊论文

【摘要】：在《高加索灰阑记》中,布莱希特借由"戏中戏"的叙事结构,将他所关注的个人与他人之间的伦理关系和由此延伸出来的人与人之间的政治经济关系紧密联系在一起。"灰阑记"中的格鲁雪经历了三次艰难的伦理选择,最终完成了从一个单身女仆的身份转变为米歇尔母亲的身份。在三次选择中,她不仅经历了复杂的道德考验,而且还解决了她作为母亲所面临的伦理及法律方面的难题,从而使她的伦理身份得到确认。"楔子"中歌者通过讲述发生在封建社会的这个伦理故事来解释现实中的政治问题,这便说明,作家借助母子伦理关系在预设的历史语境中的重构,影射现实社会中重建政治经济秩序的迫切性。
[Abstract]:In "the Grey diaphragm of the Caucasus", Brecht uses the narrative structure of "Drama in the play". He is concerned about the ethical relationship between the individual and others and the political and economic relationship between the people which is extended from it. Gruzzi in Grey Lanji has experienced three difficult ethical choices. The transition from being a single maid to that of Michelle's mother was completed. In three choices, she not only underwent a complex moral test. She also solved the ethical and legal problems she faced as a mother. Thus her ethical identity was confirmed. The singer in the Wedge explains the political problems in reality by telling the ethical story that took place in feudal society. With the help of the reconstruction of the relationship between mother and son in the preset historical context, the writer insinuates the urgency of rebuilding the political and economic order in the real society.
【作者单位】：华中师范大学;
【基金】：中国博士后科学基金资助第53批资助计划【资助编号:2013M531714】的阶段性成果
【分类号】：I516.073
【正文快照】： 国内外学术界对德国剧作家布莱希特戏剧所进行的研究,早期侧重于其政治说教功能,大都难以脱离以政治意识形态和文学政治范畴来阐释其作品意义的研究思路。20世纪八十年代以来,国外的布莱希特研究呈现出一种整体趋势,即不再局限于马克思主义哲学观和政治观的单一影响,而是将其

【相似文献】