第三空间：《羞耻》中的历史、政治和美学风格

发布时间：2018-03-05 18:18

本文选题：《羞耻》　切入点：第三空间　出处：《四川外国语大学》2014年硕士论文　论文类型：学位论文

【摘要】：萨尔曼·拉什迪（Salman Rushdie,1947-）是当代印度裔英国小说家，《羞耻》(Shame,1983)是他的第三部小说，该小说在欧美获得各项文学大奖但同时却在巴基斯坦遭到了禁止。小说以现代童话的方式讲述了虚构的巴基斯坦30多年的社会现实，其主题探讨了政治暴力、非理性的宗教与社会的羞耻之间的关系。论文有导论、结论和主体三部分组成。第一章分析《羞耻》对巴基斯坦官方历史的重写，指出重写是理解小说的政治、文化意义的关键所在。本章分析小说中呈现出来的家园意象，，指出拉什迪对巴基斯坦官方历史的重写颠覆了官方与民间、上层与低层之间的二元对立，发出了一种间隙的、杂交的、嘈杂的声音，从而营造出一个第三空间和文学世界。第二章探讨小说的离散政治，指出拉什迪在戏仿巴基斯坦的社会政治时尽可能以一种诙谐的方式进行言说。本章分析小说中离散者的视角、离散者的文化认同、女性与政治压迫，这些书写表现出拉什迪试图通过文学去抵抗巴基斯坦严肃政治事实的美学诉求，同时指出离散政治给小说营造出另一个第三空间和文学世界。第三章则聚焦于小说的美学风格，主要分析小说中语言杂糅，怪诞、魔幻风格和后殖民模拟写作，指出这些美学风格再次为小说建构起另一个的第三空间和文学世界。基于主体部分的分析，本文拟得出以下结论：《羞耻》以一种嘻嘻怒骂的方式言说着虚构的巴基斯坦的历史和政治，建构出一个众声喧哗、杂糅的、充满异质声音的第三空间和文学世界。拉什迪在小说中发出了受压迫的底层人的声音，在批判狭隘的民族主义的同时也对西方霸权文化进行了颠覆，但《羞耻》建构的第三空间和文学世界在一定程度上带有拉什迪的个人化和理想化倾向。拉什迪以自己的创作唤起公众对殖民和后殖民现象的关注，并给第三世界文学的发展和民族身份的重建给出了自己的思考。
[Abstract]:Salman Rashid (Salman Rushdie 1947-) is a contemporary India born British novelist, < > shame (Shame, 1983) is his third novel, the novel won the literary awards in Europe but in Pakistan were banned. Novels with modern fairy tales told the fictional Pakistan 30 years of social reality, the the theme of political violence, the relations between non rational religion and social shame.
The paper has an introduction, main body and conclusion of three parts. The first chapter analyzes the "shame of Pakistan > official history rewriting, pointed out that rewriting is the understanding of the novel key political, cultural significance. This chapter analyzes the home images in the novel, Rushdie pointed out that in Pakistan the official history of the rewriting subversion of the official and the folk, two the binary opposition between the upper and lower layer, a gap, hybrid, noise, thereby creating a third space and the literary world. The second chapter discusses the discrete political novels, Rushdie pointed out in Pakistan's social and political parody as much as possible to speak in a humorous way. The diaspora this chapter analyzes the novel from the perspective of cultural identity, the diaspora, women and political oppression, Rushdie tries to show these writing literature to resist the Pakistan serious political facts Aesthetic appeal, also pointed out that the political novel to create a discrete space and another third world of literature. The third chapter focuses on the novel's aesthetic style, linguistic hybridity, mainly analyzes the grotesque writing style of magic and colonial simulation, pointed out that these aesthetic style novels build again for another third of the space and the literary world based on the analysis. The main part of this paper, draw the following conclusions: < > in a shame way of expressing hee curse fictional Pakistan history and politics, construct a hubbub, hybridity, full of different sound third space and the literary world. Rushdie made the bottom oppressed people's voice in the novel, in the critique of narrow nationalism but also of the Western cultural hegemony of subversion, but the construction of the third space > < shame and the literary world to a certain extent with pull Shendi personal and idealized tendency. Rushdie public attention to colonial and postcolonial phenomenon aroused by his works, and to the development of the third world literature and national identity reconstruction gives his own thinking.

【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I561.074

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