日本文学史研究中基本概念的界定与使用——叶渭渠、唐月梅著《日本文学思潮史》及《日本文学史》的成就与问题

发布时间：2018-04-09 21:35

本文选题：日本文学史　切入点：文学思潮　出处：《山东社会科学》2013年04期

【摘要】：叶渭渠、唐月梅《日本文学思潮史》及4卷本《日本文学史》,是20世纪中国的日本文学史研究中代表性、集大成的著作。《日本文学思潮史》突破了作家作品论的模式,具有可贵的革新意识,形成了科学严谨的文学史观和文学史研究方法论;《日本文学史》作为迄今仅有的中文版大型日本文学史,资料丰富,填补空白。但在文学史基本概念、术语的确立、理解、界定和表述方面,还有一些值得商榷的问题,如对"文学思潮"的界定,对西方文论中"写实"、"浪漫"、"象征"等文学概念与日本特有的文学思潮概念之间的对接,对"诚"、"幽玄"、"寂"、"粹"(意气)等日本文学基本审美概念的阐释,对日本的"近代文学"、"现代文学"的界定及不同性质的理解等等,都留下了可以再加思考的余地。
[Abstract]:Ye Weiqu, Tang Yuemei's History of Japanese Literary thoughts and four volumes of Japanese Literary History are representative works in the study of Japanese literary history in 20th century.With a valuable sense of innovation, a scientific and rigorous view of literary history and a methodology for the study of literary history have been formed, and the History of Japanese Literature, as the only large-scale Chinese version of the history of Japanese literature so far, is rich in data and fills in the gap.However, in terms of the basic concept of literary history, the establishment, understanding, definition and expression of terms, there are still some questionable issues, such as the definition of "literary ideological trend".The connection between "realism", "romance" and "symbolism" in western literary theory and the unique concepts of Japanese literary ideological trend, and the interpretation of the basic aesthetic concepts of Japanese literature, such as "sincerity", "seclusion", "silence", "essence", etc.The definition of "modern literature", the definition of "modern literature" and the understanding of different properties in Japan have left room for further reflection.
【作者单位】：北京师范大学文学院;
【基金】：国家社科基金重大招标项目“新中国外国文学研究60年”(项目编号:09&ZD071)的阶段性成果
【分类号】：I313.09

【共引文献】