法国作家笔下的蒙古人形象研究

发布时间：2018-04-13 16:23

本文选题：法国作家 + 蒙古人形象　；参考：《内蒙古大学》2014年硕士论文

【摘要】：法国作家笔下的蒙古人形象既是一种社会总体想象的产物,也是作家、作者们通过文本阅读所积累的经验而塑造的东方的异国异族形象。这种异国异族形象受制于不同时期的法国社会文化语境和读者的期待视野,作品中的蒙古人形象除了虚构、想象和幻象外又具有某些真实性的成份。通过法国作家有关于蒙古人形象所做的描写和塑造,可以发现,蒙古人形象从某种程度或意义上来说,是为满足作家对遥远存在的异国的“期待视野”而存在的。本论文中,笔者以《鲁布鲁克东行纪》《中国孤儿》《青色的旌旗》《蒙古苍狼》四部作品为主要文本进行分析,按照时间顺序,解读不同历史时期、不同文学体裁,不同作家、不同社会文化语境下的蒙古人形象,对其异同进行梳理、比较和分析,从形象生成的角度对蒙古人形象做出文学、文化层面的阐释和解读,从比较文学形象学的角度对法国作家笔下的蒙古人形象作初步探索和研究。
[Abstract]:The Mongolian image in the works of French writers is not only the product of a general social imagination but also a writer whose foreign images of the Orient are shaped by the experience accumulated in the reading of the text.This alien image is restricted by the French social and cultural context and the readers' expectation vision in different periods. The Mongolian images in the works have some elements of authenticity besides fiction imagination and illusion.Through the description and creation of the Mongolian image by the French writers, it can be found that the Mongolian image exists to a certain extent or in a sense for the purpose of satisfying the writer's "horizon of expectation" for the distant existence of foreign countries.In this paper, the author takes four works of "Lu Bruke East", "Chinese Orphans", "the Blue Banner", "Mongolian Wolf" as the main texts, and interprets different historical periods, different literary genres, different writers, according to the time order.The Mongolian images in different social and cultural contexts are analyzed, compared and analyzed, and the literary and cultural aspects of the Mongolian images are explained and interpreted from the perspective of image formation.From the perspective of comparative literature, this paper makes a preliminary exploration and research on the Mongolian images in the works of French writers.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I565.06

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