人类表演学视角下《蝴蝶君》和《中式英语》中的文化冲突

发布时间：2018-05-19 10:53

本文选题：《蝴蝶君》 + 《中式英语》　；参考：《南京师范大学》2014年硕士论文

【摘要】：作为华裔美国戏剧的领军人物之一,黄哲伦一直致力于探讨中美交流中的文化冲突。在其作品中,文化冲突的表现不是局限于人物的语言和作品的主题思想,而是更加深入到作品创作的文化背景。本文从人类表演学的行为重建理论和社会表演学出发,在仔细阅读了黄哲伦的代表作《蝴蝶君》和《中式英语》的基础上,深入挖掘了文本集中探讨的冲突问题,并进一步分析行为重建和社会表演是如何导致了冲突的发生和发展。首先,论文对谢克纳为代表的人类表演学的基本概念进行了批评性的回顾,并着重分析了行为重建理论在谢克纳人类表演学中的重要地位和作用以及人类表演学在中国的发展和演变,即社会表演学的产生。然后,论文集中探讨了黄哲伦的经典戏剧《蝴蝶君》中的重建行为,将黄哲伦的《蝴蝶君》看成是基于普契尼《蝴蝶夫人》和当年《纽约时报》的新闻等的一次重建行为,而剧中人物高仁尼和宋丽玲的表演是各自对蝴蝶夫人这一形象的行为重建,指出该剧悲剧性的结局是人物不协调、不一致重建行为的必然结果：男主角高仁尼的行为重建是建立在文化刻板印象和自身想象基础之上,而女主角宋丽玲的行为重建则是反击文化刻板印象和精心策划的结果；接着,论文从社会表演学的角度探讨了黄哲伦的新剧《中式英语》,集中分析了剧中三个主要人物的社会表演,指出正是由于对文化了解的不足,导致了社会表演的失败,从而进一步加深了文化冲突；另一方面,也是由于对文化的逐步了解修正和改善了社会表演,从而防止了冲突的进一步恶化。最后,论文作者认为：从行为重建的角度分析《蝴蝶君》,可以清楚地看出高仁尼和宋丽玲重建蝴蝶夫人这一形象的行为从开始到最后高潮一直处于不配合、不协调直到最后南辕北辙的结局；而通过分析《中式英语》中三位主要人物社会表演的优点与不足,可以得出如何“表演”好角色应有的基本知识和注意事项,弥合沟通的差距,化解交流的冲突,这也正是作为新兴学科的社会表演学努力发展的方向和现实意义。
[Abstract]:As one of the leading figures in Chinese-American drama, Hwang has been devoted to the cultural conflict between China and the United States. In his works, the expression of cultural conflict is not confined to the language of the characters and the theme of the works, but more deeply into the cultural background of the creation of the works. Based on the theory of behavioral reconstruction of human performance and social performance, and on the basis of careful reading of Huang Zhelun's masterpieces, Butterfly King and Chinglish, this paper explores the conflict problems in text concentration. And further analysis of how behavior reconstruction and social performance led to the occurrence and development of conflict. First of all, the thesis reviews the basic concepts of Human Performing Science represented by Cheickna. It also analyzes the important position and function of behavior reconstruction theory in Cheickna human performance theory and the development and evolution of human performance theory in China, that is, the emergence of social performance theory. Then, the paper focuses on the reconstruction behavior in the classic drama of Huang Zellen, "the Butterfly Lord", and regards it as a reconstruction act based on Puccini's "Lady Butterfly" and the News of the New York Times. However, the performances of the characters Gao Renni and Song Liling are each to reconstruct the image of Lady Butterfly, pointing out that the tragic ending of the play is that the characters are not in harmony. The inevitable result of inconsistent reconstruction is that the male protagonist Gaurenni's behavior reconstruction is based on the cultural stereotype and her own imagination, while the heroine Song Liling's behavior reconstruction is the result of countering the cultural stereotype impression and meticulously planning; Then, from the perspective of social performance, the paper discusses Huang Zhelun's new play Chinglish, focusing on the social performances of the three main characters in the play, and points out that the failure of social performance is due to the lack of cultural understanding. On the other hand, the gradual understanding of culture modifies and improves the social performance, thus preventing the further deterioration of the conflict. Finally, the author thinks: from the angle of behavior reconstruction, we can clearly see that the behavior of Gaurenni and Song Liling to reconstruct the image of Lady Butterfly has been uncoordinated from the beginning to the final climax. By analyzing the advantages and disadvantages of the social performances of the three main characters in Chinglish, we can get the basic knowledge and matters needing attention on how to "perform" a good role. Bridging the gap of communication and resolving the conflict of communication is the direction and practical significance of the development of social performance as a new subject.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.073

【参考文献】