论魏玛共和国时期的现代大众戏剧

发布时间：2018-05-20 09:52

  本文选题：现代大众戏剧 + 霍尔瓦特　； 参考：《戏剧(中央戏剧学院学报)》2013年06期

【摘要】：在魏玛共和国时期,大众戏剧获得了复兴和繁荣。楚克迈耶创作的大众戏剧标志着传统大众戏剧的复兴,霍尔瓦特、弗莱瑟尔和布莱希特则开创了现代大众戏剧的先河。霍尔瓦特提出了对大众戏剧的具体改革措施,弗莱瑟尔是整个大众戏剧史上唯一的女大众戏剧作家,布莱希特则将大众戏剧纳入政治斗争的范畴。魏玛共和国时期的现代大众戏剧对20世纪60年代"新大众戏剧"的影响深远。本文全面介绍了三位大众戏剧作家的作品、理论和创作手法,并对三者进行了分析和比较。
[Abstract]:During the Weimar Republic, popular drama was revived and flourished. Chukmeyer's popular drama symbolizes the revival of traditional popular drama, while Horvath, Fleiselle and Brecht pioneered modern popular drama. Horvath put forward concrete reform measures to popular drama. Fressel is the only woman mass drama writer in the whole history of popular drama, while Brecht brings mass drama into the category of political struggle. The modern popular drama of Weimar Republic had a profound influence on the New popular Drama in the 1960's. This paper introduces the works, theories and creative techniques of three popular drama writers, and analyzes and compares them.
【作者单位】： 北京第二外国语学院德语系;北京大学外国语学院;
【分类号】：I106.3
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本文编号：1914154