欧洲诗画中的自然崇拜

发布时间：2018-05-29 03:11

本文选题：欧洲 + 自然崇拜　；参考：《外国文学研究》2013年01期

【摘要】：18世纪初基督教衰落后,欧洲诗画中出现了自然崇拜的倾向。该倾向最初见于英国的自然诗和自然画,而后延及欧洲其它国家。该时期的英国诗画表现出对自然美和忧郁情调的神往,其中包括诗人汤普森、格雷、柯林斯的自然诗和画家根兹博罗、威尔逊的自然画。受英国自然诗画的启发,卢梭和歌德形成他们独特的自然艺术观,尤其卢梭将自然观融入他的社会思想。华兹华斯和科勒律治则运用纯灵感的方式来写自然诗,尤其华兹华斯的诗将自然与人性相融合。根兹博罗的画在表现自然上与华兹华斯十分相似。特纳的自然画更被认为是对格雷诗歌的注解。此后,自然画又经库尔贝的自然主义风景画,发展到印象派莫奈等人的自然画,从而演绎了欧洲绘画艺术中的自然崇拜。历史上还是第一次通过自然崇拜将欧洲的诗画紧密地联系在一起。
[Abstract]:After the decline of Christianity in the early 18 th century, there was a tendency of nature worship in European poetry and painting. This tendency was first seen in natural poems and paintings in England and later in the rest of Europe. English poems and paintings of that period showed a fascination with natural beauty and melancholy, including the poems of Thompson, Gray, Collins and the painters Genzboro and Wilson. Inspired by British natural poems and paintings, Rousseau and Goethe formed their unique view of natural art, especially Rousseau's integration of natural view into his social thought. Wordsworth and Colerudge use pure inspiration to write poems of nature, especially Wordsworth's poems that combine nature with human nature. Genzboro's paintings are naturally similar to Wordsworth's. Turner's nature painting is considered to be a commentary to Gray's poetry. Since then, natural painting has developed into the natural paintings of Impressionist Monet and so on through Kurbey's naturalistic landscape painting, thus deducing the natural worship in European painting art. For the first time in history, European poetry and painting are closely linked through the worship of nature.
【作者单位】：浙江工商大学人文与传播学院;
【分类号】：I561.072

【参考文献】