青野季吉文艺思想在中国的译介与接受

发布时间：2018-06-04 13:05

本文选题：青野季吉 + 左翼文艺思想　；参考：《厦门大学》2014年硕士论文

【摘要】：青野季吉是1920-1930年代日本极其活跃的无产阶级文艺理论家,他的理论曾被视为日本无产阶级文学运动“第二斗争期”的指导思想。他以“目的意识论”为核心的文艺思想在中国的革命文学发展时期对中国文坛产生过广泛而深远的影响。本文通过梳理和归纳青野季吉文论著述在中国的译介与接受,综合采用文本细读、影响研究、比较研究等研究方法,力求清晰地勾勒出青野季吉文艺思想的理论来源及其知识构成,分析研究其文艺思想在中国的传播与接受状况。国内学者对青野季吉的研究并不多见,本人尝试在已有的有限研究成果的基础上,重新对青野季吉文艺思想在中国的译介和接受给予全面的探讨,以便对深入理解左翼文艺思想的知识构成及其所蕴含的启发与局限等等奠定较为坚实的理论基础。
[Abstract]:Yoshiji Ono was an extremely active proletarian literary theorist in 1920-1930 's. His theory was regarded as the guiding ideology of the second struggle period of the Japanese proletarian literature movement. His thought of literature and art, which centered on the theory of teleology, had a wide and profound influence on the Chinese literary world during the period of the development of Chinese revolutionary literature. By combing and summing up the translation and acceptance of Kiyoshi's literary works in China, this paper adopts several research methods, such as text reading, influence study, comparative study and so on. This paper tries to draw a clear outline of the theoretical source and knowledge structure of the literary and artistic thoughts of Keno Jiji, and to analyze and study the dissemination and acceptance of his literary and artistic thoughts in China. There are few domestic scholars who have done much research on Keno Ji Ji. On the basis of the limited research results, I try to give a comprehensive discussion on the translation and acceptance of his literary and artistic thoughts in China. In order to deeply understand the knowledge structure of left wing literature and art thought and its implications and limitations and so on to lay a solid theoretical foundation.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.06

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